单选题 My parents immigrated to the United States in December 1966, three weeks before my 11th birthday. It is as if during that transcontinental flight from Belgrade, Yugoslavia, to Chicago, Illinois, my history was erased.
I left behind my eccentric neighbors "Crazy Drina," with her many cats, and her one-legged mother who scared us children with nothing more than her appearance. Gone were my friends, the books from which I learned the Cyrillic alphabet, my uncle who taught me how to tell time and my aunt who sewed clothes for me and my dolls.
I would no longer spend summers in my grandmother's village, where day and night blended into one and meals consisted of what we picked from her orchard. My colorful childhood ceased to exist. Everything in Chicago felt as gray as the color of the fire escape on the apartment building that had become my home. The contrast made me yearn for every familiar street corner on the way from my house to the school in Belgrade, the aroma from the neighborhood bakery, the sound of my aunt's sewing machine, the grain bin and the oil lamp in my grandmother's old house. These images embedded themselves so deeply in my cellular memory that three decades later I still feel a sense of loss.
I love America with an immigrant's passion, but like everyone who has become a citizen, I also live with a part of me missing. I never quite adapted to life in America until 11 years ago when I moved to New Mexico, a simple, rustic place with breathtaking beauty, not unlike my homeland. Here, in an old adobe house with a wood floor in my bedroom, stained pine laid simply over dirt, I feel at home. It's not the packed-dirt floor of my grandmother's house, but in its imperfection it comes close. My house does have electricity and running water, of course, but it also once had a well like my grandmother's from which I drew water as a child.
The house was last occupied by a much-loved schoolteacher. When the son of the local gas-station owner delivered my car one day, he asked if I saw a lot of butterflies on this property. Puzzled, I answered, "Yes, why do you ask?"
"Well, you know, the woman who used to live here was such a sweet old lady. They say butterflies come around to people like that."
My landlady, the old woman's daughter, seems to understand my need for history. She's given me some things that once belonged to her mother. The granddaughter, who lives in Colorado and visits often, has become a friend. When we sit in this house where she played as a child or go for walks on land she knows so intimately, I vicariously gain some more history.
It has not been an easy thing, this business of becoming American. But there are times, like when I walk my dog in the country outside Santa Fe, when the sights and sounds of horses, roosters and donkeys so strongly evoke my childhood that I feel a deep sense of belonging. I've come to realize that by planting my roots here so firmly, I am no longer borrowing history. I am living and even creating it. Perhaps someday when I'm gone, someone will ask the person who lives in this house after me, "Do you see a lot of butterflies on this property?/

单选题 Which of the following is NOT included in the author's memory of her native land in Yugoslavia?

单选题 The author's memory of her native Belgrade is

单选题 The author at last feels at home in America because

单选题 What does the author mean by saying "I am no longer borrowing history" in the last paragraph?