填空题 A．theoretical B．distinction C．focusing D．maintains
E．concentrate F．central G．justifying H．emerged
I．Forethoughtful J．prominent K．preoccupation L．promiscuous
M．Foremost N．analysts O．critics
Aesthetic thought of a distinctively modem bent 1 during the 18th century. The western philosophers and critics of this time devoted much attention to such matters as natural beauty, the sublime, and representation—a trend reflecting the central position they had given to the philosophy of nature. Since that time, however, the philosophy of art has become ever more 2 and has begun to supplant the philosophy of nature. Various issues 3 to the philosophy of art have had a marked impact on the orientation of 20th-century aesthetics. 4 among these are problems relating to the theory of art as form and to the 5 between representation and expression. Still another far-reaching question has to do with the value of art. Two opposing 6 positions have been taken on this issue: one holds that art and its appreciation are a means to some recognized moral good, whereas the other 7 that art is intrinsically valuable and is an end in itself. Underlying this whole issue is the concept of taste, one of the basic concerns of aesthetics. In recent years there has also been an increasing 8 with art as the prime object of critical judgment. Corresponding to the trend in contemporary aesthetic thought, 9 have followed either of two approaches. In one, criticism is restricted to the analysis and interpretation of the work of art. In the other, it is devoted to articulating the response to the aesthetic object and to 10 a particular way of perceiving it.