The suclptural legacy that the new
United States {{U}}(21) {{/U}} its colonial predecessors was
{{U}}(22) {{/U}} a rich one, and {{U}}(23) {{/U}} in 1776
sculpture as an art form was {{U}}(24) {{/U}} in the hands of artisans
and craftspeople. Stone carvers engraved their motifs of skulls and crossbones
and other religious icons of death into the gray slabs that we still see
{{U}}(25) {{/U}} today in old bruial grounds. Some skilled craftspeople
made intricately carved wooden ornamentations for furntiture or architectural
decorations, {{U}}(26) {{/U}} carved wooden shop signs and ships
figureheads. {{U}}(27) {{/U}} they often achieved expression and formal
excellence in their generally primitive style, they remained artisans
skilled in the craft of carving and constituted a group {{U}}(28) {{/U}}
from what we normally {{U}}(29) {{/U}} as "sculptors" {{U}}(30)
{{/U}} the word.