单选题 《复合题被拆开情况》 (1) Roie Galitz’s adventurous spirit has quite literally driven him to the ends of the Earth. He has made several excursions to the Arctic islands of Svalbard and the ice sheets of Antarctica. He has also been to the snowy plain of Norway and the wild waters of Kamchatka, Russia—all in the hopes of capturing some of the Earth’s most elusive creatures. (2) The photographer comes from Tel Aviv, Israel. He first fell in love with wildlife photography in the sweltering savannas of Tanzania, Africa. Galitz says he prefers to work in the cold—even when that can mean temperatures as low as 40 degrees below zero. He layers up multiple pairs of long trousers, fleece shirts and the thickest wool socks he can find. On top of all of that, he wears an 8-pound Arctic suit. "When you’re cold, you can always put on an extra layer," he says. "But when you’re hot, there is a legal limit to how much you can remove." (3) Extreme environments are also where he finds his favorite photography subjects: animals that are rarely viewed in the wild. (4) "If I showed things that have been viewed time and time again, it wouldn’t be special. It wouldn’t be unique," Galitz says. "It would just be like photographing a sparrow. Who cares about a sparrow? Everybody sees them all the time. As a photographer, I always try to find what has been done, what hasn’t been done, why it hasn’t been done—then try to do it." (5) One photo that captures Galitz’s quest features a polar bear with a live seal in its grasp. This moment of the hunt had rarely, if ever, been photographed before. Local bear experts doubted that Galitz would be able to get the shot. But after a long night of silently kneeling on the ice, fighting to stay warm but remaining still so as not to disturb the seals swimming below—he got the shot. (6) Venturing into the wild comes with some risk, from frostbite to close encounters with bears and walruses. Galitz takes it all in stride. A minor case of frostbite in the Arctic is like getting a sunburn at the beach, he says. And the cold forces him to be resourceful. On multiple occasions, he has used his nose to operate the touch screen on his camera. Sometimes, though, he will quickly remove his gloves to snap the shot. (7) Wildlife photography requires a certain spirit, Galitz says. For many of the far-off places he chooses to shoot, he has to obtain production permits and coordinate the often-complicated logistics of getting there. But the planning pays off, he says, when he gets the perfect shot. In a photo titled "Polar Bear Family Hug", he captured two cubs and a mother bear in a moment of vulnerability as they awoke from a nap. (8) "That’s actually the best compliment a wildlife photographer can ask for," Galitz says. "Because when an animal is sleeping in front of you, it means she trusts you." (9) In another photo of brown bears playing together in Lake Kuril in Russia, Galitz laid low to the ground and took shot after shot. He was trying to capture the symmetry of the bears’ open mouths. "With wildlife, you control the scene by controlling yourself," he says, referring to his position in relation to his furry subjects. You can’t tell a bear to strike a pose or turn toward the light. So for a wildlife photographer, Galitz explains, it’s all about the technique. (10) In addition to stunning action shots, Galitz also looks to capture moments that will elicit specific feelings from the viewer. "When I’m photographing the animals, I’m trying to show their character, their soul," he says. Many of his photos depict animals in moments of closeness— courting, parenting, cuddling—to demonstrate their individual personalities and familial relationships. "I’m trying to make people relate to animals in an intimate way, as I am relating to animals in an intimate way," he says. (11) Galitz also regularly uses his photography to promote conservation efforts. Looking at his photos from year to year, he says he can see the world changing and the habitats of the animals he photographs disappearing. "My images are testimony," he says. "This is what I saw last year, this is what I saw here, you can see the difference. We can’t ignore that."《问题》:Which of the following is NOT mentioned as a requirement for a wildlife photographer?
【正确答案】 A
【答案解析】细节题。由题干中的requirement、wildlife photographer。和题文同序原则定位到原文第五至七段。这三段分别说明了成为野生动物摄影师的必备条件。第五段最后一句提到,加利茨为了成功捕捉镜头,整夜默默跪在冰上,努力保暖却又保持不动,以免惊动冰下游泳的海豹,这表明野生动物摄影师需要有韧性,首先排除D“韧性”;第六段第四句指出,寒冷迫使他变得足智多谋,接下来的两句则具体说明两种不同的拍摄方式,这表明野生动物摄影师需要足智多谋,可以排除C“足智多谋”;第七段第二、三句提到,对于他选择拍摄的许多偏远地点,他必须获得拍摄许可证,并协调通常复杂的后勤工作,以到达那里,并且第三句指出拍到完美照片时,他的规划就获得了回报,这表明野生动物摄影师需要事先规划,可排除B“提前计划”。原文并未提及自卫技能,故A为答案。