Sofonisba Anguissola: A Woman Painter of the Renaissance
[■] The Renaissance, which began in the 1300s in northern Italy, marked the rebirth of
classical
learning and knowledge. New ideas were also introduced during
this period
in the arts and sciences. [■] Dates varied depending upon the end of the Middle Ages in geographic regions. [■] Italy is thought to have been the birthplace of the Renaissance and Florence, a city in north central Italy, is considered to have been the city where the Renaissance began. [■]
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The year 1500 divided the Early Renaissance from the Late Renaissance. Sofonisba Anguissola is considered to be a Late Renaissance child because she had been born in 1532. Sofonisba"s father was a wealthy nobleman and she was the oldest of seven children in the family. The town in which she grew up, Cremona, was a northern Italian town located in Lombardy not too far from Florence. Her town had been founded in 218 B.C. by the Romans, and has become well known for its square and tower dating from the Middle Ages. Throughout the years artists and musicians had gravitated to Cremona and it developed as an important violin manufacturing center.
During the Renaissanceyoung men received formal schooling
. They could serve apprenticeships for several years to further learn their professions. Young women, however, were not provided the same educational opportunities. Young Italian women were expected to learn homemaking skills, marry by the time they were thirty, and become mothers at early ages. Sofonisba Anguissola was a young Italian woman who did not follow the course society expected.
Sofonisba"s family was a family of artists but she was the first female to show interest in painting. She was extremely
fortunate
that her father recognized her artistic talents and the artistic talents of her sisters. Her father arranged for Sofonisba to be taught painting along with feminine skills of needlework and homemaking. At the age of fourteen she began classes with Bernardino Campi, a Cremona portrait painter who had begun painting at an early age and had combined the styles of Raphael and Titian into a style of his own. As a paid guest in Campi"s home for approximately one year, Sofonisba painted and sketched daily. She learned to copy the great works of art in the local churches to learn her profession as all aspiring painters did. During the time she studied with Campi she also learned about oils, pigments, and canvas preparation. When Campi moved to Milan, Sonfonisba continued her studies for nearly three years with Barnardino Gatti who was a painter of religious pictures for local Lombardy churches. When Sofonisba was twenty-two her father arranged for her to study in Rome, and through his contacts was introduced to Michaelangelo. She met with Michaelangelo informally so he could critique her work and provide her with some of his sketches for copying.
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While Sofonisba was studying in Rome, Spain"s King Philip Ⅱ invited her to move to Madrid and become the Queen"s art instructor. Sofonisba moved to Spain and lived there fourteen years, giving the Queen lessons in painting and drawing, acting as governess for the royal family"s two children, and completing portraits of the King, Queen, and their children. At the age of thirty-eight, Sofonisba married a Sicilian nobleman, a marriage arranged by the King. After the death of her husband, Sofonisba returned to Italy to continue her painting. On the voyage home she met her second husband, an Italian ship"s captain from Genoa. Sofonisba continued to paint after her marriage. She died at the age of ninety-three on the island of Sicily.
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Sofonisba"s family background and the education that had been made available to her influenced the type of paintings she became known for. She is considered a Mannerist painter because that style of painting was developed during the 1500s and Mannerist paintings display complex compositions and emotions. Often painted in informal domestic settings, Sofonisba"s portraits were realistic and portrayed expression, natural emotion, and interpersonal relationships. Throughout her life, Sofonisba assumed a dual role a painter and one who was painted. Several of her portraits were self portraits, painted at various stages in her life by using a mirror to capture her moods and to perfect different methods of painting. Sofonisba gave many of her paintings as gifts because her social status would have made it inappropriate for her to sell her works of art. Unfortunately, most of her works have been destroyed or lost over the years but several still survive in Western Europe. Sofonisba Anguissola was fortunate to have been born into nobility during the Renaissance and to have had the advantage of her family"s wealth to learn, practice, and develop the art of portrait painting.
Glossary
profession:
a type of job that requires advanced education
pigment:
a substance that gives something a particular color
单选题
The phrase
this period
in paragraph 1 refers to
单选题
The word
classical
in the passage is closest in meaning to
【正确答案】
C
【答案解析】[解析] 解答本题需要利用有关文艺复兴的背景知识。文艺复兴即古典文化、艺术等的复兴。也可根据上下文来解题:首段第二句提到New ideas were also introduced...由also推出该句与上句形成对比。即classical与new形成对比。traditional与classical在文中含义最为接近。
单选题
Which of the sentences below best paraphrases the essential information in the highlighted sentence in the passage. Incorrect choices change the meaning or leave out essential information.
During the Renaissance young men received formal schooling.
【正确答案】
C
【答案解析】[解析] 把握文章逻辑关系比理解句子含义更为重要。在这句话之后,作者又提到了Young women,however,were not provided the same educational opportunities.将两句话对比可知,答案应为C。
单选题
Why does the author mention, in paragraph 2, that Sofonisba"s father was a wealthy nobleman?
【正确答案】
B
【答案解析】[解析] 此题需要把握文章的中心人物索佛妮斯芭的成功与其父亲的关系。在第二段中提到Sofonisba Anguissola was a young Italian woman who did not follow the course society expected.索佛妮斯芭·安古索拉不愿走社会所期望的老路。在最后一段中也提到Sofonisba"s family background and the education that had been made available to her influenced the type of paintings she became known for.索佛妮斯芭的家庭背景以及她所接受的教育影响了她的绘画风格,她也因此风格而成名。由此可知,她父亲的财力支持了她学习艺术。
单选题
What can be inferred from paragraph 2 about Sofonisba?
【正确答案】
D
【答案解析】[解析] 对于推断题,我们要把握文章线索,在准确理解原文的基础上才能推测出正确的结论。第二 段中提到Sofonisba Anguissola was a young Italian woman who did not follow the course society expected.索佛妮斯芭·安古索拉不愿走社会所期望的老路。由此可知,应选择D。
单选题
Why does the author mention Sofonisba"s family was a family of artists?
【正确答案】
D
【答案解析】[解析] 把握作者的意图,最重要的是把握句子间的逻辑关系,第三段第一句中提到Sofonisba"s family was a family of artists but she was the first female to show interest in painting. She was extremely fortunate that her father recognized her artistic talents and the artistic talents of her sisters.索佛妮斯芭出生在艺术世家,但她是第一个对绘画感兴趣的女孩儿。极其幸运的是,她的爸爸认识到了她和妹妹们的艺术天分。由此可知,应该选择D。
单选题
The word
fortunate
in the passage is closest in meaning to
单选题
According to paragraph 4, why was King Philip Ⅱ of Spain important to Sofonisba?
【正确答案】
C
【答案解析】[解析] 找到与菲力普二世有关的句子,Sofonisba moved to Spain and lived there...and completing portraits of the King, Queen, and their children.综合这些信息推断,C选项概括得最为准确。
单选题
According to paragraph 5, why did Sofonisba paint portraits?
【正确答案】
D
【答案解析】[解析] 找到文中与画肖像有关的句子。She is considered a Mannerist painter because that style of painting was developed during the 1500s and Mannerist Paintings display complex compositions and emotions.人们视她为风格主义画家,因为这种绘画风格在16世纪期间得到了发展,风格主义作品表现出复杂的构图方法和情感。以及Sofonisba"s portraits were realistic and portrayed expression, natural emotion, and interpersonal relationships.索佛妮斯芭的人物画像逼真,描绘表情、自然的情绪,以及人际关系。综合可知,A、B、C三项均正确。
单选题
According to Paragraph 5, why did Sofonisba give gifts of her paintings?
【正确答案】
C
【答案解析】[解析] 文中提到Sofonisba gave many of her paintings as gifts because her social status would have made it inappropriate for her to sell her works of art.索佛妮斯芭把她的许多画作当作礼物送给了别人,因为以她的社会地位而论卖掉作品是不合适的。综上可知答案为C。
单选题
According to paragraph 5, which one of the following is true to Mannerist painters?
【正确答案】
C
【答案解析】[解析] 文中提到she is considered a Mannerist painter because that style of Painting was developed during the 1500s and Mannerist paintings display complex compositions and emotions.人们视她为风格主义画家,因为这种绘画风格在16世纪得到了发展,这些作品表现出复杂的构图方法和情感。而文章开始时提到,1500年是文艺复兴早期和后期的分界线。由此可知C正确。
填空题
Look at the four squares [■] that indicate where the following sentence could be added to the passage.
This transitional period between the Middle Ages and modern times, known as the Renaissance, had no definite starting dates or places.
Where would the sentence best fit?
Click on a square [■] to add the sentence to the passage.
多选题Directions:
An introductory sentence for a brief summary of the passage is provided below. Complete the summary by selecting the
THREE
answer choices that express the most important ideas in the passage. Some sentences do not belong in the summary because they express ideas that are not presented in the passage or are minor ideas in the passage.
This question is worth 2 points.
Drag your answer choices to the spaces where they belong. To remove an answer choice, click on it. To review the passage, click on
View Text
.
Sofonisba was a unique woman of the Renaissance.
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Answer Choices:
【正确答案】
C、E、F
【答案解析】[解析] 在概括文章信息的题型中,最重要的是把握所给引导句的关键词。本题需找出可用来解释、说明这位unique woman of the Renaissance的选项。C说明了她出生的时期,是处于文艺复兴时期。E和F说明了她的unique之处。