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It is often helpful when thinking about biological processes to consider some apparently similar yet better understood non-biological process. In the case of visual perception an obvious choice would be color photography. Since in many respects eyes resemble cameras, and percepts photographs, is it not reasonable to assume that perception is a sort of photographic process whereby samples of the external world become spontaneously and accurately reproduced somewhere inside our heads? Unfortunately, the answer must be no. The best that can be said of the photographic analogy is that it points up what perception is not. Beyond this it is superficial and misleading. Four simple experiments should make the matter plain.
In the first a person is asked to match a pair of black and white discs, which are rotating at such a speed as to make them appear uniformly grey. One disc is standing in shadow, the other in bright illumination. By adjusting the ratio of black to white in one of the discs the subject tries to make it look the same as the other. The results show him to be remarkably accurate, for it seems he has made the proportion of black to white in the brightly illuminated disc almost identical with that in the disc which stood in shadow. But there is nothing photographic about his perception, for when the matched discs, still spinning, are photographed, the resulting print shows them to be quite dissimilar in appearance.The disc in shadow is obviously very much darker than the other one. What has happened? Both the camera and the person were accurate, but their criteria differed. One might say that the camera recorded things as they look and the person things as they are. But the situation is manifestly (明白地) more complex than this, for the person also recorded things as they look. He did better than the camera because he made them look as they really are. He was not misled by the differences in illumination. He showed perceptual constancy. By reason of an extremely rapid, wholly unconscious piece of computation he received a more accurate record of the external world than could the camera.
In the second experiment a person is asked to match with a color card the colors of two pictures in dim illumination.One is of a leaf, the other of a donkey. Both are colored an equal shade of green. In making his match he chooses a much stronger green for the leaf than for the donkey. The leaf evidently looks greener than the donkey. The percipient (有感知力的人) makes a perceptual world compatible with his own experience. It hardly needs saying that cameras lack this versatility.
In the third experiment hungry, thirsty and satiated (充分满足的) people are asked to equalize the brightness of pictures depicting food, water and other objects unrelated to hunger or thirst. When the intensities at which they set the pictures are measured it is found that hungry people see pictures relating to food as brighter than the rest (i.e. to equalize the pictures they make the food ones less intense), and thirsty people do likewise with “drink” pictures. For the satiated group no differences are obtained between the different objects. In other words, perception serves to satisfy needs, not to enrich subjective experience. Unlike a photograph the percept is determined by more than just the stimulus.
The fourth experiment is of a rather different kind. With ears plugged, their eyes beneath translucent(透亮的)goggles (转动眼珠) and their bodies either encased (包装) in cotton or wool, or floating naked in water at body temperature, people are deprived for considerable periods of external stimulation. Contrary to what one might expect,however, such circumstances result not in a lack of perceptual experience but rather a surprising change in what is perceived. The subjects in such an experiment begin to see, feel and hear things which bear no more relationship to the immediate external world than does a dream in someone who is asleep. These people are not asleep yet their hallucinations, or so-called ‗autistic‘ perceptions, may be as vivid, if not more so, than any normal percept.
In the first paragraph, the author suggests that ________.
由文章首段三、 四句 “…is it not reasonable to assume that perception is a sort of photographic process…?Unfortunately, the answer must be no.”可知, 把认知看作是一种摄像过程这是不合理的, 因此 D 项最符合要求。
In the first experiment, it is proved that a person ________.
由文章第二段倒数三、 四句“He did better than the camera because he made them look as they really are. He was not misled by the differences in illumination.”可知, 人不会被灯光下产生的差异所误导, 能够让事物看起来像其本身的样子。 这说明人类对外界变化的敏感度比摄像机要高, 所以 C 项与之意思一致, 故选 C。通过该段中 “One might say that the camera recorded things as they look and the person things as they are. But the situation is manifestly(明白地) more complex than this”可知, 不能简单地认为人能够看到事物本身的样子, 因此 D 项排除。
The second experiment shows that ________.
文章第三段倒数第二句指出, 一个有感知力的人会让自己的感知世界与自己的亲身经历相符。 也就是说,作者在看颜色时, 会根据自己的经验、 经历来判断。
What does “to equalize the brightness” in Para. 4 mean?
文章第四段第二句提到, 当人们测量实验者给图片设置的亮度时, 发现饥饿的人感觉与食物相关的图片要比其他图片更亮一些(也就是说在 equalize the pictures 的时候, 与食物相关的图片的亮度被他们设置得小了一些)。 由此可知, 实验者们是在给图片调整亮度, 以使各图片看起来亮度接近。 故选 B。
The group of experiments, taken together, proves that human perception is ________.
文章中第一个实验说明认知与人的知识有关, 第二个实验说明认知与个人经验相关, 第三个实验则说明认知与个人需求也有一定的关系, 综合以上实验结果可得出 D 项最符合题意。