单选题 Decades after Marilyn Monroe's death, there was a burst of speculation about what she might have been doing if (and it is a very big if) she had not met a premature end from an overdose in 1962, at the age of 36. The American writer Joyce Carol Oates, whose recent novel B/on& is a fictionalized version of Marilyn's life, thinks she might have left Hollywood for a successful career in the theatre. The feminist commentator Gloria Steinem, who has also written a book about the actress, imagines her living in the country and running an animal sanctuary. I have to say that these imaginary careers, and many other things that have been suggested about Marilyn in recent years, fall into the category of rescue fantasies. The point about her life is that it went hideously and predictably wrong, with self-destruction always a more likely outcome than a revival of her acting career as an interpreter of Chekhov or an early conversion to the animal rights movement.
This is not to denigrate the woman herself, whose story seems to me genuinely tragic. Hers is a dread/ul catalogue of abandonment, abuse and a desperate re-invention of .the self in terms that successfully courted fame and disaster in just about equal measure. Fragile egos often invited other people's projections and Marilyn came to see herself, in her own words, as "some kind of mirror instead of a person". This is half-perceptive, in that what she actually became in her lifetime was a blank screen on which men could project their fantasies and anyone who wants to understand what kind of fantasies they were has only to look at Norman Mailer's creepy biography, with its drooling images of Marilyn as a vulnerable child, incapable of saying no.
What she is unlikely to have anticipated is that, four decades later, thoughtful women would look at her image and see, perversely, a reflection of themselves. Ms. Steinem has been reported as saying that she thinks Marilyn's experiences might have pushed her into embracing the women's movement. But Marilyn was a male-identified woman, a product of a virulently misogynist culture that was erotically stimulated by the pairing of beauty and brains -- but only as long as women did the beauty while men got to direct movies, write plays and run the country. That Marilyn played this role to perfection, then loathed it and rebelled against its limitations, hardly needs saying.

单选题 The author implies at the beginning that
【正确答案】 A
【答案解析】推断题。在文章第一段,作者用“big if”来形容一种不大可能的假设,即玛丽莲•梦露过早地香消玉殒是很难避免的。[B] 有个人感情色彩的倾向(希望她在1962年前死去,而文章中作者并没有这种感情色彩),她是在1962年去世的;选项[C] 是干扰项,虽然兴起了一股猜想玛丽莲可能会有的生活的热潮,但并不能说明人们对她如何死去不感兴趣;[D]
单选题 The author's attitude towards the speculations about Marilyn is
【正确答案】 B
【答案解析】细节题。该题实际上是对第一段倒数第二句“…these imaginary careers,and many other things…suggested about Marilyn…fall into the category Of rescue fantasies.”的理解,作者认为对玛丽莲今天会做些什么的猜测纯属是幻想。因为根据最后一句:玛丽莲的生活是很荒唐的,所以她的结局很有可能是自我毁灭,而不是成为戏剧演员或者动物权利保护运动的参与者。故[B] 为正确选项。
单选题 The author mentions Norman Mailer's biography in order to
【正确答案】 B
【答案解析】推断题。根据文章第二段最后一句,玛丽莲的人生犹如一个空白的屏幕,上面投射着男人们对她的幻想。要知道这种幻想是什么,只要翻阅一下Norman Mailer在玛丽莲的传记中写下的话语即可。因此[B] 为正确答案。作者并不是以此来说明传记的本质和特点,所以排除[A] ;作者并未以此来反驳玛丽莲关于自己是别人的镜子的论调,而是证实了这种说法,所以[C] 予以排除;[D] 与题干没有直接关系。
单选题 We can infer from the passage that women who embraced the women's movement had been
【正确答案】 D
【答案解析】细节题。从文章第二段最后一句“…images of Marilyn as a vulnerable child,incapable of saying no.”我们知道玛丽莲给人的印象是脆弱的、易受伤害的;第三段第二句“Ms Steinem…thinks Marilyn's experiences might have pushed her into embracing the women's movement.”说玛丽莲的人生经历和感悟会使她支持妇女解放运动,所以,那些支持妇女解放运动的是曾经处于弱势群体的妇女。答案为[D] [A] “知识分子”,不合题意;[B] “名人”虽然跟梦露的经历相似但是过于宽泛;[C] “厌恶女人的人”,正好相反。
单选题 In the text we can see that the author bears a/an ______ feeling toward Marilyn Monroe.
【正确答案】 C
【答案解析】态度题。作者在文章第一段第一句“(it is a very big if)…not met a premature end”中表态,认为玛丽莲的结局不可避免,“premature end"表达了同情,不是厌恶和批评;第二段第一句“not to denigrate the woman herself,whose story seems to me genuinely tragic”再次表明作者同情的态度,而不是冷漠和遣责,所以排除[A] 和[B] ;[D] 是干扰项,文章第二段第二句说她自我放逐、追名逐利,第三段第三句作者认为玛丽莲的这一切都归咎于当时的男权文化,玛丽莲是那个时代文化的牺牲品。