问答题 《复合题被拆开情况》 Ingma Bergman’s latest work as a screenwriter is "Sunday’s Children". Set in rural Sweden during the late 1920s, the story centers on a young boy named Pu, clearly modelled with Bergman himself.【S1】________Pu’s father is a country clergyman who duties include traveling to the【S2】________capital and ministering to the royal family. While this is an enviable position, it does not assuage with problems in the clergyman’s marriage.【S3】________Pu is young enough to be fairly oblivious of such difficulties, but his awareness grows with the pass of time. So do the subtle tensions that【S4】________damage Pu’s own relationship with his father, whose desire to show affection and compassion hampered by a certain stiffness in his demeanor【S5】________and chilliness in his emotions. The film’s most resonant passage take place when Pu learns to see【S6】________his father with new clarity while accompanied him on a cross-country【S7】________trip to another parish. In a remarkable change of tone, this portion of the story is punctuated for flash-forwards to a time 40 years in the【S8】________future, showing the relationship between parent and children to be dramatically changed. The father is now cared for by the son, and desires for forgiveness for past shortcomings what the younger man【S9】________resolutely refuses to grant. Brief and abrupt although they are, these scenes make a sharp【S10】________contrast with the sunny landscapes and comic interludes in the early part of the movie. "Sunday’s Children" is a film of many levels, and all are skillfully handled by Danniel Bergman in his directional debut. Gentle scenes of domestic contentment are sensitively interwoven with intimations of underlying malaise.《问题》：【S10】