Indubitably the vast majority of books overlap one another. Few indeed are those which give the impression of originality, either in style or in content. Rare are the unique books—less than 50, perhaps, out of the whole storehouse of literature. In one of his recent auto-biographical novels, Blaise Cendrars points out that Remy de Gourmont, because of his knowledge and awareness of this repetitive quality in books, was able to select and read all that is worthwhile in the entire realm of literature. Cendrars himself—who would suspect it?—is a prodigious reader. He reads most authors in their original tongue. Not only that, but when he likes an author he reads every last book the man has written, as well as his letters and all the books that have been written about him. In our day his case is almost unparalleled, I imagine. For, not only has he read widely and deeply, but he has himself written a great many books. All on the side, as it were. For, if he is anything, Cendrars, he is a man of action, an adventurer and explorer, a man who has known how to “waste” his time royally. He is, in a sense, the Julius Caesar of literature.
不容置疑的是,大多数书都互相重复,在文体或内容上让人感到具有独创性的书实在是少之又少。在整个文学库藏中,只有极少数作品——或许不到50本——是独具一格的。在最近出版的一部自传体小说中,布莱斯•桑德拉尔指出,古尔蒙之所以能够选择并通读文学领域中一切值得读的书籍,就是因为他知识渊博,并且了解书的这种重复性。桑德拉尔本人就是一个博览群书的人,没有人会怀疑这一点。他阅读了大部分作家的原作。不仅如此,一旦他喜欢上一个作家,他就会阅读这个作家写的每一本书,包括他的书信以及所有有关他的书籍。我猜想,在当今世界上,几乎没有人能像他一样,不仅读得广、读得精,而且还著述颇丰。可以说这一切都是在业余时间完成的。因为桑德拉尔是一个十足的行动家,一个四处跋涉的冒险家和探险家,一个懂得如何“肆意浪费”时间的人。从某种意义上说,他是文学界的凯撒大帝。