阅读理解

Directions: Read the following passages that are followed by some questions respectively. For each question there are four answers marked A, B, C and D. Choose the best: answer to each of the questions after reading the corresponding passage.

Passage 3

I do not think that there is such a thing as ABSOLUTE religious or sacred music. What is true of other things in life is true of music. It is relative. What is true in art today may be deemed quite untrue by the next generation. Take, for example, the musical consonance and discord once recognized as essential elements in music. Modem composers and musicians do not recognize the old order of things. The Gregorian Chant has been associated in Christian nations with religion for hundreds of years, so it invokes within us religious feeling. In a non-Christian land the same chant might re-use martial sentiment, if it had been used there for that purpose TRADITIONALLY. Play the Gregorian chant to an Australian bushman and it may not affect him devotionally at all-but a certain crude melody of his own will. At the same time, his wild music may inspire feelings of a quite different nature in others in a different environment.

The same is true of the music of different musical instruments. The horn has been associated with the chase. When we think of the chase we instinctively think of the horn. The guitar is associated with romance—a gondola(平底鞋) under the Rialto in Venice, or a young man under a window in Seville. Nowadays, we associate war with trumpet and drum—the instruments of fire and fury. But in ancient Greece the bards were wont to lash the country into feverish martial activities by singing and playing on the lyre. The Gaelic bards did the same. Now, the lyre is to US an instrument of tender tones and romantic feeling.

During the exciting days of the French Revolution the singing of the Marseillaise was thought more dangerous by those in power than incendiary speeches or weapons of war. It inspired people to make sacrifices; it roused them to fight and to die fighting. I am certain that, in a country that knows nothing about the French Revolution or of this great song of France, the Marseillaise could be effectively used for religious revival.

Art, then is influenced by environment, education, and association of ideas. Art, like love, is a state of mind and heart, and the art of music more so than other arts. The arts of poetry, painting, and sculpture have tangible forms. But music is formless it is all feeling. For that reason it is the more dynamic, and produces a deeper emotional effect. 

单选题 What is the main idea of the passage?
【正确答案】 D
【答案解析】文章第一段介绍了音乐审美的相对性, 第二段提到乐器所能引发人们不同的联想, 第三段通过《 马赛曲 》 说明音乐的感染力是无国界的、 其功能也是可以改变的, 第四段以音乐的变幻无形作为结尾。 由此可知A、 B、 C三个选项都只是关注到了某一个方面, D项符合文章的核心观点。
单选题 The author mentions "the musical consonance and discord"(in paragraph 1) in order to_____.
【正确答案】 A
【答案解析】由该表达所在的上下文“What is true in art today may be deemed quite untrue by the next generation. Take, for example, the musical consonance and discord once recognized as essential elements in music. Modem composers and musicians do not recognize the old order of things” 可知, 作者的目的是举例说明一些旧 时的创作标准放到现代已经不合时宜了, 表现音乐审美的变化。
单选题 Which of the following statements is NOT true of the Marseillaise?
【正确答案】 A
【答案解析】由第三段可知, 《 马赛曲 》 在法国大革命期间广为传唱, 鼓舞着人们视死如归地去战斗, 被当局者视为比战斗演讲或者武器还要严重的威胁(the singing of the Marseillaise was thought more dangerous by those in power than incendiary speeches or weapons of war) , 这里只是一种夸张的表达, 并不是乐曲本人让人感到恐惧。 故A错误。
单选题 Compared with other art forms, music_____.
【正确答案】 D
【答案解析】由最后一段第二句“Art, like love, is a state of mind and heart, and the art of music more so than other arts”可知, 音乐在与人的心灵和精神的关联上要比其他艺术性更为尤甚。
单选题 Music is the same as musical instruments in a way that both of them_____.
【正确答案】 C
【答案解析】由第一段末尾和第二段开头“At the same time, his wild music may inspire feelings of a quite different nature in others in a different environment. The same is true of the music of different musical instruments” 可知, 音乐和乐器的共同点是在不同的环境中激发迥异的感受。