单选题 In Barcelona the Catalonians call them castells, but these aren't stereotypical castles in Spain. These castles are made up of human beings, not stone. The people who perform this agile feat of acrobatics are called castellers, and to see their towers take shape is to observe a marvel of human cooperation. First the castellers form what looks like a gigantic rugby scrummage. They are the foundation blocks of the castle. Behind them, other people press together, forming outward-radiating ramparts of inward-pushing muscle: flying buttresses for the castle. Then sturdy but lighter castellers scramble over the backs of those at the bottom and stand, barefoot, on their shoulders — then still others, each time adding a higher "story". These human towers can rise higher than small apartment buildings: nine "stories" , 35 feet into the air. Then, just when it seems this tower of humanity can't defy gravity any longer, a little kid emerges from the crowd and climbs straight up to the top. Arms extended, the child grins while waving to the cheering crowd far below. Dressed in their traditional costumes, the castellers seem to epitomize an easier time, before Barcelona became a world metropolis arid the Mediterranean's most dynamic city. But when you observe-them tip close, in their street clothes, at practice, you see there's nothing easy about what the castellers do — and that they are not merely reenacting an ancient ritual. None of the castellers can-give a logical answer as to why they love doing this. But Victor Luna, 16. touches me on the shoulder and says in English: "We do it because it's beautiful. We do it because we are Catalan. " Barcelona's mother tongue is Catalan, and to understand Barcelona, you must understand two words of Catalan: seny and rauxa. Seny pretty much translates as common sense, or the ability to make money, arrange things, and get things done. Rauxa is reminiscent of our words " raucous" and "ruckus". What makes the castellers revealing of the city is that they embody rauxa and seny. The idea of a human castle is rauxa — it defies common sense — but to watch one going up is to see seny in action. Success is based on everyone working together to achieve a shared goal. The success of Carlos Tusquets' bank, Fibanc, shows seny at work in everyday life. The bank started as a family concern and now employs hundreds. Tusquets said it exemplifies how the economy in Barcelona is different. Entrepreneurial seny demonstrates why Barcelona and Catalonia — the ancient region of which Barcelona is the capital — are distinct from the rest of Spain yet essential to Spain's emergence, after centuries of repression, as a prosperous, democratic European country. Catalonia, with Barcelona as its dynamo, has turned into an economic powerhouse. Making up 6 percent of Spain's territory, with a sixth of its people, it accounts for nearly a quarter of Spain's production — everything from textiles to computers — even though the rest of Spain has been enjoying its own economic miracle. Hand in hand with seny goes rauxa, and there's no better place to see rauxa in action than on the Ramblas, the venerable, tree-shaded boulevard that, in gentle stages, leads you from the center of Barcelona down to the port. There are two narrow lanes each way for cars and motorbikes, but it's the wide centre walkway that makes the Ramblas a front-row seat for Barcelona's longest running theatrical event. Plastic armchairs are set out on the sidewalk. Sit in one of them, and an attendant will come and charge you a small fee. Performance artists throng the Ramblas — stilt walkers, witches caked in charcoal dust, Elvis impersonators. But the real stars are the old women and happily playing children, millionaires on motorbikes, and pimps and women who, upon closer inspection, prove not to be. Aficionados(Fans)of Barcelona love to compare notes: "Last night there was a man standing on the balcony of his hotel room," Mariana Bertagnolli, an Italian photographer, told me. "The balcony was on the second floor. He was naked, and he was talking into a cell phone. " There you have it, Barcelona's essence. The man is naked(rauxa), but he is talking into a cell phone(seny).
单选题 From the description in the passage, we learn that______.
【正确答案】 B
【答案解析】解析:细节题。第二段介绍了建造castells的前半部分工作,本段最后一句指出,强健但灵巧的城堡人赤脚踩在下面的人的肩膀上,一个接着一个,一层一层地叠加。这是建造castells的重要步骤。因此B选项是最贴切的。
单选题 According to the passage, the4mplication of the performance is that______.
【正确答案】 C
【答案解析】解析:推理题。第六段提到“What makes the castellers revealing of the city is that theyembody rauxa and seny”,即叠罗汉代表了巴塞罗那的两种精神——狂热和理智,两种精神既矛盾又统一。故本题答案为C(paradoxical的意思是“矛盾的”)。
单选题 The passage cites the following examples EXCEPT______to show seny at work.
【正确答案】 D
【答案解析】解析:细节题。第七段中的see seny in action与题干中的show seny at work为同义替换。第八段中举出了Carlos Tusquets’bank取得成功的实力,在第九段前半部分指出seny在经济发展中扮演的发动机这一角色,后半部分则提到了对经济做出的巨大贡献。因此本文的答案为D。
单选题 In the last but two paragraph, the Ramblas is described as "a front-row seat for Barcelona's longest running theatrical event". What does it mean?
【正确答案】 C
【答案解析】解析:语义题。举行重大活动时,前排座位往往是为重要人物或者贵宾设置的,所以front—row seat是比喻的手法。Ramblas是巴塞落难辖区内的一个地点,整句话表示Ramblas是巴塞罗那的重镇,是举办重大活动的首选地点。故本题答案为C。
单选题 What is the main impression of the scenes on the Ramblas?
【正确答案】 A
【答案解析】解析:推理题。文章对Ramblas的描述主要在倒数第三段中,第一段提到作者在Ramblas的所见所闻,交通工具用的车道narrow,人行道则是wide;坐在路边的扶手椅上要缴费:还可以交到炭灰的巫婆,还有猫王等演艺人员;真正的明星是年迈的妇人和玩得非常开心的孩子等。这都证明这个地方的奇怪和与众不同。因此本题答案为A。