单选题
{{B}}Passage 1{{/B}}
When we think of Hollywood—a term I use loosely to describe American movie production in general, not simply films made in Los Angeles — we think of films aimed at musing audiences and making money for producers.
During the early years of the new century, as workers won their demands for higher wages and a shorter working week, leisure assumed an increasingly important role in everyday life. Amusement parks, professional baseball games, nickelodeons, and dance halls attracted a wide army of men and woman anxious to spend their hard-earned dollars in the pursuit of fun and relaxation. Yet of all these new cultural endeavours, films were the most important and widely attended source of amusement. For a mere five or ten cents, even the poorest worker could afford to take himself and his family to the local nickelodeon or storefront theatre "Every little town that has never been able to afford and maintain an opera house," observed one journalist in 1908,"now boasts one or two '{{U}}Bijou Dreams{{/U}}' "By 1910 the appeal of films was so great that nearly one-third of the nation flocked to the cinema each week; ten years later, weekly attendance equaled 50 percent of the nation's population.
Early films were primarily aimed at entertaining audiences, but entertainment did not always come in the form of escapist fantasies. Many of the issues that dominated Progressive-era politics were also portrayed on the screen. "Between 1900 and 1917," observes Kevin Brownlow, "literally thousands of films dealt with the most pressing problems of the day — white slavery, political corruption, gangsterism, loansharking, slum landlords, capital vs labour, racial prejudice, etc." While most of these films were produced by studios and independent cornpanies, a significant number were made by what we might call today "special interest groups". As films quickly emerged as the nation's most popular form of mass entertainment, they attracted the attention of a wide range of organizations that recognized the medium's enormous potential for disseminating propaganda to millions of viewers.
单选题 In this passage, "Hollywood" is used to describe ______.
【正确答案】 A
【答案解析】细节题。作者在文章第一句中即交代说他用Hollywood这个词来宽泛地指美国的电影制造业(a term I use loosely to describe American movie production in general),因此本题答案是[A]。
单选题 It may be inferred from the passage that ______.
【正确答案】 A
【答案解析】分析推理题。由第二段第二句中的to spend their hard-earned dollars in the pursuit of fun and relaxation可以推知去看电影的人大多数都是工薪阶层,因此[A]是对的。[B]在文章中没有体现,而[C]、 [D]两项都是文中明示的信息,不符合题中infer的要求。
单选题 "Bijou Dreams" in the second paragraph probably refers to" ______".
【正确答案】 C
【答案解析】词义推测超,由该词所在句前后意思上的关联性可推知它应与前面提到的an opera house(剧院)一样属于娱乐场所,而文章整体谈论的是电影,且后一句中紧跟着出现了cinema这个词,因此Bijou Dreams应当与cinemas的意思最接近。
单选题 It can be concluded from the last paragraph that ______.
【正确答案】 D
【答案解析】分析推理题。由文章最后一句中的they attracted the attention of a wide range of...to mil- lions of viewers可推知[D]是正确的。[A]与该段第二句的意思相反;[B]扩大了原文意思;[C]则是文章第二段已经指出的一个事实,并非由最后一段得出的结论。
单选题 The passage m mainly about ______.
【正确答案】 C
【答案解析】主旨题。文章第一段点明话题,第二段简单回顾了美国电影的发展史,第三段则说明了早期美国电影的一些功能(除娱乐外,还反映当时的社会和政治问题),因此选概括了这两个方面的[C]。