单选题 {{B}}Passage Five{{/B}}
Architects are hopeless when it comes to deciding whether the public will view their designs as marvels or monstrosities, according to a study by Canadian psychologists. They say designers should go back to school to learn about ordinary people's tastes.
Many buildings that appeal to architects get the thumbs down from the public. Robert Gifford of the University of Victoria in British Columbia decided to find out whether architects understand public preferences and simply disagree with them, or fail to understand the lay person's view.
With his colleague Graham Brown, he asked 25 experienced architects to look at photos of 42 large buildings in the US, Canada, Europe and Hong Kong. The architects predicted how the public would rate the buildings on a scale of 1 to 10, where 1 represented "terrible” and 10"excellent". A further 27 people who were not architects also scored the buildings out of 10. In addition, eight architects gave their own personal ratings of the buildings.
The three groups tended to agree among themselves on a building's merits. And architects correctly predicted that lay people would on average rate buildings higher than they did themselves. But for individual buildings, the architects' perceptions of what the lay people would think were often way off the mark. "Some architects are quite good at predicting lay preferences, but others are not only poor at it, they get it backwards,” says Gilford.
For instance, architects gave the Stockley Park Building B-3 offices in London a moderate rating of 5.2. They thought the public would like it much better, predicting a rating of 6.3. But the public actually disliked the offices, and gave it 4.7. Gifford thinks that lay people respond to specific features of buildings, such as durability and originality, and hopes to pin down what they are.
"Architects in architecture school need to be taught how lay people think about buildings," Gifford concludes. He doesn't think designers should pander to the lowest common denominator, but suggests they should aspire towards buildings that appeal to the public and architects alike, such as the Bank of China building in Hong Kong.
Marco Goldschmeid of the Richard Rogers Partnership, designers of the Millennium Dome in London, thinks the study is flawed. "The authors have assumed, wrongly, that buildings can be meaningfully judged from photographs rather than actual visits," he says. Goldschmeid thinks it would be more significant and interesting to look at the divergence of public taste between generations.
单选题 What does the first paragraph of this passage imply?
【正确答案】 D
【答案解析】第1段最后一句话They say designers should go back to school to learn about ordinary people's tastes.说明建筑师们对于普通百姓的品位知之甚少。
单选题 What does "lay person" in Line 3,Paragraph 2 possibly mean?
【正确答案】 B
【答案解析】结合文章的中心思想,讲的是建筑师如何去理解并揣摩普通人欣赏一座建筑物的眼光,尤其是在第一二段中反复提到“the ordinary people”,“the public”,由此可以推断是the lay person是普通老百姓的意思,故选B。
单选题 Through his study, Robert Gifford found that ______.
【正确答案】 B
【答案解析】逻辑推理题。本文第4段有这样一句话And architects correctly predicted that lay people would on average rate buildings higher than they did.把这句话反过来说就是architects rated lower than lay people.所以答案选B。
单选题 From the passage we can learn that the Bank of China building in Hong Kong ______.
【正确答案】 C
【答案解析】具体细节题。第6段最后一句话中buildings that appeal to the public and architects alike,such as the Bank of China building in Hong Kong的such as就说明香港的中国银行大楼属于appeal to the public and architects alike(对公众和对建筑家同样有魅力)。
单选题 Marco Goldschmeid thinks that Gifford's study is flawed because ______.
【正确答案】 A
【答案解析】解题的信息在第?段中Marco Goldschmeid所说的那句话The authors have assumed, wrongly,that buildings can be meaningfully judged from photographs rather than actual visits中。
单选题 What does the passage mainly deal with?
【正确答案】 B
【答案解析】主旨大意题。本文主要是讲建筑师了解公众品位的重要性。