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EDUCATING PSYCHE

Educating Psyche by Bernie Neville is a book which looks at radical new approaches to learning, describing the effects of emotion, imagination and the unconscious on learning. One theory discussed in the book is that proposed by George Lozanov, which focuses on the power of suggestion.

Lozanov’ s instructional technique is based on the evidence that the connections made in the brain through unconscious processing (which he calls non-specific mental reactivity) are more durable than those made through conscious processing. Besides the laboratory evidence for this, we know from our experience that we often remember what we have perceived peripherally, long after we have forgotten what we set out to learn. If we think of a book we studied months or years ago, we will find it easier to recall peripheral details—the color, the binding, the typeface, the table at the library where we sat while studying it—than the content on which we were concentrating.

If we think of a lecture we listened to with great concentration, we will recall the lecturer’ s appearance and mannerisms, our place in the auditorium, the failure of the air-conditioning, much more easily than the ideas we went to learn. Even if these peripheral details are a bit elusive, they come back readily in hypnosis or when we relive the event imaginatively, as in psychodrama. The details of the content of the lecture, on the other hand, seem to have gone forever.

This phenomenon can be partly attributed to the common counterproductive approach to study (making extreme efforts to memorize, tensing muscles, inducing fatigue) , but it also simply reflects the way the brain functions. Lozanov therefore made indirect instruction (suggestion) central to his teaching system. In suggestopedia, as he called his method, consciousness is shifted away from the curriculum to focus on something peripheral. The curriculum then becomes peripheral and is dealt with by the reserve capacity of the brain.

The suggestopedic approach to foreign language learning provides a good illustration. In its most recent variant (1980) , it consists of the reading of vocabulary and text while the class is listening to music. The first session is in two parts. In the first part, the music is classical (Mozart, Beethoven, Brahms) and the teacher reads the text slowly and solemnly, with attention to the dynamics of the music. The students follow the text in their books. This is followed by several minutes of silence. In the second part, they listen to baroque music (Bach, Corelli, Handel) while the teacher reads the text in a normal speaking voice. During this time they have their books closed. During the whole of this session, their attention is passive; they listen to the music but make no attempt to learn the material.

Beforehand, the students have been carefully prepared for the language learning experience. Through meeting with the staff and satisfied students they develop the expectation that learning will be easy and pleasant and that they will successfully learn several hundred words of the foreign language during the class. In a preliminary talk, the teacher introduces them to the material to be covered, but does not ‘ teach’ it. Likewise, the students are instructed not to try to learn it during this introduction.

Some hours after the two-part session, there is a follow-up class at which the students are stimulated to recall the material presented. Once again the approach is indirect. The students do not focus their attention on trying to remember the vocabulary, but focus on using the language to communicate (e. g. through games or improvised dramatizations) . Such methods are not unusual in language teaching. What is distinctive in the suggestopedic method is that they are devoted entirely to assisting recall. The ‘ learning’ of the material is assumed to be automatic and effortless, accomplished while listening to music. The teacher’ s task is to assist the students to apply what they have learned para-consciously, and in doing so to make it easily accessible to consciousness. Another difference from conventional leaching is the evidence that students can regularly learn 1000 new words of a foreign language during a suggestopedic session, as well as grammar and idiom.

Lozanov experimented with teaching by direct suggestion during sleep, hypnosis and trance states, but found such procedures unnecessary. Hypnosis, yoga, Silva mind-control, religious ceremonies and faith healing are all associated with successful suggestion, but none of their techniques seem to be essential to it. Such rituals may be seen as placebos. Lozanov acknowledges that the ritual surrounding suggestion in his own system is also a placebo, but maintains that without such a placebo people are unable or afraid to tap the reserve capacity of their brains. Like any placebo, it must be dispensed with authority to be effective. Just as a doctor calls on the full power of autocratic suggestion by insisting that the patient take precisely this white capsule precisely three times a day before meals, Lozanov is categorical in insisting that the suggestopedic session be conducted exactly in the manner designated, by trained and accredited suggestopedic teachers.

While suggestopedia has gained some notoriety through success in the teaching of modern languages, few teachers are able to emulate the spectacular results of Lozanov and his associates. We can, perhaps, attribute mediocre results to an inadequate placebo effect. The students have not developed the appropriate mind set. They are often not motivated to learn through this method. They do not have enough ‘ faith’ . They do not see it as ‘ real teaching’ , especially as it does not seem to involve the ‘ work’ they have learned to believe is essential to learning. 

Do the following statements agree with the information given in Reading Passage 3? On your answer sheet, write: 

问答题 In the example of suggestopedic teaching in the fourth paragraph, the only variable that changes is the music.
【正确答案】FALSE
【答案解析】根据文章内容可知, 文中提到的暗示教学法的实验方法是: 音乐从第一阶段的古典音乐到了第二阶段的巴 洛克式音乐, 老师也从第一阶段的“用缓慢且庄严的语调朗读课文” 变成了第二阶段的“用正常声调朗读课文” 。 这就证明改变的不仅仅是音乐, 还有老师的朗读方法。 因此“唯一的变量是音乐” 这种说法是错误的
问答题 Prior to the suggestopedia class, students are made aware that the language experience will be demanding.
【正确答案】FALSE
【答案解析】根据文章第六段可知: 事先, 学生们已经精心准备了语言学习经验。 通过与老师以及对这种语言学习方式感到满意的学生的交流,他们形成了一种期待: 那就是接下来的学习将是简单轻松的。 而题中的demanding指的是“要求高的、 难度大的” , 显然和“简单轻松” 相矛盾, 因此这种说法与原文信息相矛盾, 填FALSE。
问答题 In the follow-up class, the teaching activities are similar to those used in conventional classes.
【正确答案】TRUE
【答案解析】根据文章内容可知, “Some hours after the two-part session, there is a follow-up class at which the students are stimulated to recall the material presented. The students do not focus their attention on trying to remember the vocabulary, but focus on using the language to communicate. Such methods are not unusual in language teaching” 。在后续课程中, 学生通过使用语言进行交流来回忆之前所学的内容, 而非集中注意力去记忆单词, 这样的方法在语言教学中十分常见。 言外之意, 暗示教学法在普通教学中也被用到,即: 跟进课程使用了与传统课堂相似的教学方法。 因此, 本题的表述与原文相一致, 填TRUE。
问答题 As an indirect benefit, students notice improvements in their memory.
【正确答案】NOT GIVEN
【答案解析】由文章内容可知, 使用暗示教学法一方面是让学生完全通过回忆来学习知识, 另一成果是学生可以通过应用该方法轻易学习1000个新单词、 语法及习语。 但至于学生的记忆力是否有所提高, 这点根据实验推断不出来, 因此填NOT GIVEN。
问答题 Teachers say they prefer suggestopedia to traditional approaches to language teaching.
【正确答案】NOT GIVEN
【答案解析】根据文章内容可知, 文中虽提到了suggestopedia及conventional teaching, 但也只是主要讲了两者的区别与联系, 并未表明教师对两者的偏好, 因此答案为NOT GIVEN。 
问答题 Students in a suggestopedia class retain more new vocabulary than those in ordinary classes.
【正确答案】TRUE
【答案解析】根据之前的问题, 我们知道: 与传统教学模式的另外一点不同就是在间接暗示方法下, 学生通常可以轻易记住1000个生词以及语法点和成语。 普通课堂对应的是传统教学法, 而实验课堂使用的是暗示教学法, 显然暗示教学法比在传统教学方法下记忆的单词更多。因此答案是TRUE。