填空题 It never occurred to him that he and his doing were not of the most intense and fascinating interest to anyone with whom he came in contact. He had theories about almost any subject under the sun, including vegetarianism, the drama, politics, and music; and in support of these theories he wrote pamphlets, letters, books.., thousands upon thousands of words, hundreds and hundreds of pages. He not only wrote these things, and published them—usually at somebody else"s expense—but he would sit and read them aloud, for hours, to his friends and his family.
He had the emotional stability of a six-year-old child. When he felt out of sorts, he would rave and stamp, or sink into suicidal gloom and talk darkly of going to the East to end his days as a Buddhist monk. Ten minutes later, when something pleased him, he would rush out of doors and run around the garden, or jump up and down on the sofa, or stand on his head.
He was almost innocent of any sense of responsibility. Not only did he seem incapable of supporting himself, but it never 1 to him that he was under any obligation to do so. He was convinced that the 2 owed him a living. In support of this belief, he borrowed 3 from everybody who was good for a loan—men, women, friends, or 4 . He wrote begging letters by the score, sometimes groveling 5 shame, at others loftily offering his intended benefactor the privilege of 6 to his support, and being mortally offended if the recipient declined the 7 . I have found no record of his ever paying or repaying money to 8 who did not have a legal claim upon it.
The name of this monster was Richard Wagner. Everything that I have said about him you can find 9 record: in newspapers, in police reports, in the testimony of people who knew him, in his own letters, 10 the lines of his autobiography. And the curious thing about this record is 11 it doesn"t matter in the least. Because this undersized, sickly, 12 , fascinating little man was right all the time. The joke was 13 us. He was one of the world"s greatest dramatists; he was a great 14 ; he was one of the most stupendous musical geniuses that, up to now, the world has 15 seen. The world did owe him a living.
When you consider what he wrote: thirteen operas and 16 dramas, eleven of them still holding the stage, eight of them unquestionably 17 ranking among the world"s great musical-dramatic masterpieces: when you listen to 18 he wrote, the debts and heartaches that people had to endure from him don"t 19 much of a price. Think of the luxury with which for a time, at least, fate 20 Napoleon, the man who ruined France and looted Europe; and then 21 you will agree that a few thousand dollars" worth of debts were not too 22 a price to pay for the Ring trilogy.
Listening to his music, one does not forgive him for what he 23 or may not have been. It is not a matter of forgiveness. It is a 24 of being dumb with wonder that his poor brain and body didn"t burst 25 the torment of the demon of creative energy that lived inside him, 26 , clawing, scratching to be released; tearing, shrieking at him to 27 the music that was in him. The miracle is that what he did in the little 28 of seventy years could have been done at all, even by a great 29 . Is it any wonder that he had no time to be a man?