A serious critic has to comprehend the
particular content, unique structure, and special meaning of a work of art. And
here she faces a dilemma. The critic must recognize the artistic element of
uniqueness that requires subjective reaction; yet she must not be unduly
prejudiced by such reactions. Her likes and dislikes are less important
than what the work itself communicates, and her preferences may blind her to
certain qualities of the work and thereby prevent an adequate understanding of
it. Hence, it is necessary that a critic develop a sensibility informed by
familiarity with the history of art and aesthetic theory. On the other hand, it
is insufficient to treat the artwork solely historically, in relation to a fixed
set of ideas or values. The critic's knowledge and training are, rather, a
preparation of the cognitive and emotional abilities needed for all adequate
personal response to an artwork's own particular
qualities.
单选题
According to the author, a serious art critic may avoid being prejudiced by her subjective reactions if she ______.