The Literature of Knowledge and the Literature of Power
What is it that we mean by literature? Popularly, and amongst the thoughtless, it is held to include everything that is printed in a book. Little logic is required to disturb that definition. The most thoughtless person is easily made aware that in the idea of literature one essential element is some relation to a general and common interest of man—so that what applies only to a local, or professional, or merely personal interest, even though presenting itself in the shape of a book, will not belong to Literature. So far the definition is easily narrowed; and it is as easily expanded. For not only is much that takes a station in books not literature; but inversely, much that really is literature never reaches a station in books. The weekly sermons of Christendom, that vast pulpit literature which acts so extensively upon the popular mind—to warn, to uphold, to renew, to comfort, to alarm—does not attain the sanctuary of libraries in the ten-thousandth part of its extent. The Drama again—as, for instance, the finest of Shakespeare' s plays in England, and all leading Athenian plays in the noontide of the Attic stage—operated as a literature on the public mind, and were (according to the strictest letter of that term) published through the audiences that witnessed their representation some time before they were published as things to be read; and they were published in this scenical mode of publication with much more effect than they could have had as books during ages of costly copying or of costly printing.
无文学的知识性与文学的力量
我们用文学指的是什么?一般地不经思考的人认为包括印在书里的一切。勿需逻辑去驳倒那定义,最不善去思考的人也很容易会明白从文学观点上讲,基本要素之一是与广泛而普遍的人类情趣的某种关系。所以适用于地方性的,专业性的或者仅是个人兴趣的,尽管以书的形式呈现出来,也不属于文学范畴。从范围来讲,文学定义容易被局限,同样也容易被延伸。因为不仅多数在书中占一位置的并不是文学。相反多数真正的文学从来没有达到在书中有一位置。基督教每周布道,众多讲道坛文学广泛作用于信众头脑——警告、培养、更新、抚慰、警醒——也没有在千分之十的范围内获得图书馆式的礼拜堂。戏剧又作为一种文学作用于公众头脑,比如莎士比亚剧本的经典,雅典全盛时期所有主流的雅典戏剧,它们在被作为阅读的东西出版之前一段时间通过观众传播并见证了它们的存在,并且远比复印、打印昂贵的时代作为书被出版影响要大得多。