填空题These people remained (isolate)______ from the outside society until recently.

填空题This Agreement is entered into ______ the parties concerned ______ the basis of equality and mutual benefit to develop business ______ terms and conditions mutually agreed upon as follows: .

填空题David: I' ve Just finished reading the novel translated by your sister. Bob: Really? ______

填空题I cant believe a man of your ______ would do a thing like that． 我不能相信你这样一个聪明人会作出那样的一件事来。

填空题Which of the following Chinese versions of the English poem is the best in your opinion? Make a comment in English.(国际关系学院2010研，考试科目：英语综合) Autumn Day Lord: it is time. The summer was immense. Lay your shadow on the sundials and let loose the wind in the fields. Bid the last fruits to be full: give them another two more southerly days, press them to ripeness, and chase the last sweetness into the heavy wine. Whoever has no house now will not build one anymore. Whoever is alone now will remain so for a long time, will stay up, read, write long letters, and wander the avenues, up and down, restlessly, while the leaves are blowing. 参考译文1 秋日 主啊，时不我予。盛夏已去。 把你的影子对准日晷， 让风在旷野上获得自由。 令最后的果实趋于丰满； 再额外赐予它们两个南方的日子， 迫使它们成熟，追缫 残余的甜蜜，使之化为醇酒。 如今，无房者将不必再建。 独居者将长久独居， 熬夜、读书、长篇累牍地写信， 落叶纷飞时，烦躁不安地 在大街上游来荡去。 参考译文2 秋日 主啊!是时候了。夏日曾经很盛大。 把你的阴影落在日晷上， 让秋风刮过田野。 让最后的果实长得丰满， 再给它们两天南方的气候， 迫使它们成熟， 把最后的甘甜酿人浓酒。 谁这时没有房屋，就不必建筑， 谁这时孤独，就永远孤独， 就醒着，读着，写着长信， 在林荫道上来回 不安地游荡，当着落叶纷飞。 参考译文3 秋日 主呵，是时候了。夏天盛极一时。 把你的阴影置于日晷上， 让风吹过牧场。 让枝头最后的果实饱满； 再给两天南方的好天气， 催它们成熟， 把最后的甘甜压进浓酒， 谁此时没有房子，就不必建造， 谁此时孤独，就永远孤独， 就醒来，读书，写长长的信， 在林荫路上不停地 徘徊，落叶纷飞。

填空题Emerging in the late Sixties and reaching a peak in the Seventies, Land Art was one of a range of new forms, including Body Art, Performance Art, Action Art and Installation Art, which pushed art beyond the traditional confines of the studio and gallery. Rather than portraying landscape, land artists used the physical substance of the land itself as their medium. The message of this survey of British land art—the most comprehensive to date—is that the British variant, typified by Richard Long"s piece, was not only more domestically scaled, but a lot quirkier than its American counterpart. Indeed, while you might assume that an exhibition of Land Art would consist only of records of works rather than the works themselves, Long"s photograph of his work is the work. Since his "action" is in the past and the photograph is its sole embodiment. That might seem rather an obscure point, but it sets the tone for an exhibition that contains a lot of black-and-white photographs and relatively few natural objects. Long is Britain"s best-known Land Artist and his Stone Circle, a perfect ring of purplish rocks from Portishead beach laid out on the gallery floor, represents the elegant, rarefied side of the form. The Boyle Family, on the other hand, stands for its dirty, urban aspect. Comprising artists Mark Boyle and Joan Hills and their children, they recreated random sections of the British landscape on gallery walls. Their Olaf Street Study, a square of brick-strewn waste ground, is one of the few works here to embrace the mundanity that characterizes most of our experience of the landscape most of the time. Parks feature, particularly in the earlier works, such as John Hilliard"s very funny Across the Park, in which a long-haired stroller is variously smiled at by a pretty girl and unwittingly assaulted in a sequence of images that turn out to be different parts of the same photograph. Generally, however, British land artists preferred to get away from towns, gravitating towards landscapes that are traditionally considered beautiful such as Lake District or the Wiltshire Downs. While it probably wasn"t apparent at the time, much of this work is permeated by a spirit of romantic escapism that the likes of Wordsworth would have readily understood. Derek Jarman"s yellow-tinted film Towards Avebury, a collection of long, mostly still shots of the Wiltshire landscape, evokes a tradition of English landscape painting stretching from Samuel Palmer to Paul Nash. In the case of Hamish Fulton, you can"t help feeling that the Scottish artist has simply found a way of making his love of walking pay. A typical work, such as Seven Days, consists of a single beautiful black-and-white photograph taken on an epic walk, with the mileage and number of days taken listed beneath. British Land Art as shown in this well selected, but relatively modestly scaled exhibition wasn"t about imposing on the landscape, more a kind of landscape-orientated light conceptual art created passing through. It had its origins in the great outdoors, but the results were as gallery-bound as the painting s of Turner and Constable. A. originates from a long walk that the artist took. B. illustrates a kind of landscape-orientated light conceptual art. C. reminds people of the English landscape painting tradition. D. represents the elegance of the British Land Art. E. depicts the ordinary side of the British Land Art. F. embodies a romantic escape into the Scottish outdoors. G. contains images from different parts of the same photograph.

填空题I turned on the TV just to relax a little after a heavy dinner, but soon I found myself so attracted as to be unable to get away from it until the end.

填空题The central theme of Paradise Lost is taken from the(19)and deals with the Christian story of "the(20)of man".

填空题Joe: Why will the plane from Miami delay?Ann: ____________

填空题The top of the hill was ______，but the slopes were covered with trees． 山顶上光秃秃的，山坡上则长满树木。

填空题Arbitration Claimant Arbitrator Award Tribunal Litigation

填空题女生宿舍

填空题We will do our best to help those ______ (fortunate)

填空题As metaphor means the transport of ideas in Greek, ______means a change of name.