单选题Is this factory ______ some foreign friends visited last Friday? A. that B. where C. which D. the one
单选题--I should have gone to see the film with you.
单选题【2015建设银行】The substance can be added to gasoline to
accelerate
the speed of automobiles.
单选题The prisoner of war wished to be___________.Ten years later,he___________free and regained his___________.
单选题There are no hotels in this
locality
.
单选题Paper produced every year is ______ the world's production of vehicles.
A.the three times weight of
B.three times the weight of
C.as three times as heavier as
D.three times as heavier as
单选题At that time, we did not fully
grasp
the significance of what had happened.
单选题It is 50 years ______ the People's Republic of China was founded. A. after B. before C. when D. since
单选题It seemed
incredible
that he had been there a week already.
单选题 Two related paradoxes also emerge from the same basic
conception of the aesthetic experience. The first was given extended
consideration by Hegel, who argued roughly as follows, our sensuous attention
and that gives to the work of art its peculiar individuality. Because it
addresses itself to our sensory appreciation, the work of art is essentially
concrete, to be understood by an act of perception rather than by a process of
discursive thought. At the same time, our understanding of the
work of art is in part intellectual; we seek in it a conceptual content, which
it presents to us in the form of an idea. One purpose of critical interpretation
is to expound this idea in discursive form—to give the equivalent of the content
of the work of art in another, no sensuous idiom. But criticism can never
succeed in this task, for, by separating the content from the particular form,
it abolishes its individuality. The content presented then ceases to be the
exact content of that work of art. In losing its individuality, the content
loses its aesthetic reality; it thus ceases to be a reason for attending
to the particular work and that first attracted our critical attention. It
cannot be this that we saw in the original work and that explained its power
over us. For this content, displayed in the discursive idiom of
the critical intellect, is no more than a husk, a discarded relic of a meaning
that eluded us in the act of seizing it. If the content is to be the true object
of aesthetic interest, it must remain wedded to its individuality: it cannot be
detached from its "sensuous embodiment" without being detached from itself.
Content is, therefore, inseparable from form and form in turn inseparable from
content. (It is the form that it is only by virtue of the content that it
embodies.) Hegel's argument is the archetype of many, all aimed
at showing that it is both necessary to distinguish form from content and also
impossible to do so. This paradox may be resolved by rejecting either of its
premises, but, as with Kant's antinomy, neither premise seems dispensable. To
suppose that content and form are inseparable is, in effect, to dismiss both
ideas as illusory, since no two works of art can then share either a content or
a form-the form being definitive of each work's individuality.
In this case, no one could ever justify his interest in a work of art by
reference to its meaning. The intensity of aesthetic interest becomes a
puzzling, and ultimately inexplicable, feature of our mental life. If, on the
other hand, we insist that content and form are separable, we shall never be
able to find, through a study of content, the reason for attending to the
particular work of art that intrigues us. Every work of art stands proxy for its
paraphrase. An impassable gap then opens between aesthetic experience and its
ground, and the claim that aesthetic experience is intrinsically valuable is
thrown in doubt.
单选题All work is pleasant ______ when the habit of working is formed. A. done B. doing C. to do D. to be done
单选题The two sides did not reach an agreement ______ the end of the fifth round of the intense negotiations. A. still B. from C. when D. until
单选题Promoting Cycling in Our City An essential element of the transportation system in many of the cities around the world is cycling. The city of Buffalo recognizes this and develops a 1O-year plan to promote more cycling in our city. The city's development plan includes the addition of more cycling (47) to our streets. This, of course, is with the intention of encouraging greater cycling (48) by our citizens in an effort to mimic the benefits other global cities have experienced, such as the reduction of pollution and traffic congestion as well as health and social advantages. Other plans include a coordinated network of bicycle lanes to be interconnected to the surrounding towns as well as the setting up of a number of social programs to provide information to the cyclists. The city wishes to hear your thoughts about its (49) . Further information and submission forms are available at our website at: www.cityofbuffalo.gov.us, by visiting your local Neighborhood Service Center, or by calling 755-9333.
单选题While you are aboard the ferry, please ______ from smoking, eating, and drinking. A. refrain B. react C. reverse D. remark
单选题Just tell me what subject you'd like me to ______ so that I could get some notes ready.A. give a talk onB. have a talkC. have a talk onD. give a talk
单选题All international orders are__________via Global Express Mail within five to ten business days.
单选题This city is famous for its {{U}}magnificent{{/U}} ancient buildings.
A.contemporary
B.distinguished
C.specialized
D.specified
单选题The release date for the documentary film about life in America is______, but the producer still has a lot of work to do.
单选题An
abnormal
amount of snow fell here last week which is quite rare in the region.
单选题Although he is in financial difficulties, he is ________ to accept my offer of the loan of twenty thousand dollars
