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单选题The proportion of works cut for the cinema in Britain dropped from 40 percent when I joined the BBFC in 1975 to less than 4 percent when I left. But I don't think that 20 years from now it will be possible to regulate any medium as closely as I regulated film. The Internet is, of course, the greatest problem for this century. The world will have to find a means, through some sort of international treaty of United Nations initiative, to control the material that's now going totally unregulated into people's homes. That said, it will only take one little country like Paraguay to refuse to sign a treaty for transmission to be unstoppable. Parental control is never going to be sufficient. I'm still very worried about the impact of violent video games, even though researchers say their impact is moderated by the fact that players don't so much experience the game as enjoy the technical manoeuvres (策略) that enable you to win. But in respect of violence in mainstream films, I'm more optimistic. Quite suddenly, tastes have changed, and it's no longer Stallone or Schwarzenegger who are the top stars, but Leonardo DiCaprio—that has taken everybody by surprise. Go through the most successful films in Europe and America now and you will find virtually none that are violent. Quentin Tarantino didn't usher in a new, violent generation, and films are becoming much more pro-social than one would have expected. Cinemagoing will undoubtedly survive. The new multiplexes are a glorious experience, offering perfect sound and picture and very comfortable seats, things which had died out in the 1980s. I can't believe we've achieved that only to throw it away in favor of huddling around a 14-inch computer monitor to Watch digitally-delivered movies at home. It will become increasingly cheap to make films, with cameras becoming smaller and lighter but remaining very precise. That means greater chances for new talent to emerge, as it will be much easier for people to learn how to be better film-makers. People's working lives will be shorter in the future, and once retired they will spend a lot of time learning to do things that amuse them—like making videos. Fifty years on we could well be media-saturated as producers as well as audience; instead of writing letters, one will send little home movies entitled My Week.
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单选题He ______ that he has discovered a new planet. A. permits B. claims C. classifies D. confesses
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单选题Britain's leading swimmers are facing a test of their ______ as well as their skills at the Olympic trials in Sheffield.
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单选题The sounds we call words can be called a language only if ______.
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单选题The research team decided to use an underwater saw to cut the ______ship into sections before lifting it up. A. electrical B. electric C. electricity D. electrifying
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单选题The Association of University Teachers claims that taxpayers'money, ______ for basic research, is being used to prop up industrial and other applied research projects. A. designed B. engaged C. oriented D. intended
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单选题His stomach began to ______ because of the bad food he had eaten.
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单选题Silence is unnatural to man. He begins life with a cry and ends it in stillness. In the interval he does all he can to make a noise in the world, and there are few things 21 he stands in more fear than of the 22 of noise. Even his conversation is 23 a desperate attempt to prevent a dreadful silence. If he is introduced to a fellow mortal and a number of pauses occur in the conversation, he regards himself as a failure, a worthless person, and is full of 24 of the emptiest-headed chatterbox. He knows that ninety-nine percent of human conversation means 25 the buzzing of a fly, but he longs to join in the buzz and to prove that he is man and not a wax-work figure. The object of conversation is not, 26 the most part, to communicate ideas; it is to keep up the buzzing sound. Most buzzing, 27 is agreeable to the ear, and some of it is agreeable even to the 28 . He would be a foolish man, however, who waited until he had a wise thought to take part in the buzzing with his neighbors. Those who despise the weather as a conversational opening seem to be ignorant of the reason why human beings wish to talk. Very few human beings join in a conversation in the hope of learning anything new. Some of them are 29 if they are merely allowed to go on making a noise into other people's ears though they have nothing to tell them except that they have seen a new play. At the end of an evening during which they have said nothing at immense length, they justly 30 themselves on their success as conversationalists.
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单选题Wimpy is______ proud of its high reputation for food quality and service and this leaflet is tv reassure our customers that they can enjoy Wimpy fare with complete confidence. A. justifiably B, intermittently C. imperceptibly D, sluggishly
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单选题Perhaps most important, the report could ______ more light, though it does give some, on how child welfare is changing over time. A. glance B. reckon C. cast D. resort
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单选题He claims that advertising today tends to {{U}}portray{{/U}} women in traditional roles such as cooking or taking care of the baby. A. depict B. advocate D. criticize D. analyze
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单选题Trade relationships between the two countries will improve if their ______ leaders could agree on the proposed quotas.
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单选题Just over 10 years ago, Ingmar Bergman announced that the widely acclaimed Fanny and Alexander would mark his last hurrah as a filmmaker. Although some critics has written him off as earnest but ponderous, others were saddened by the departure of an artist who had explored cinematic moods—from high tragedy to low comedy—during his four-decade career. What nobody foresaw was that Bergman would find a variety of ways to circumvent his own retirement—directing television movies, staging theater productions, and writing screenplays for other filmmakers to direct. His latest enterprise as a screenwriter, Sunday's Children, completes a trilogy of family-oriented movies that began with Fanny and Alexander and continued with The Best Intensions written by Bergman and directed by Danish Fihnmaker Bille August. Besides dealing with members of Bergman's family in bygone times—it begins a few years after The Best Intentions leaves off—the new picture was directed by Daniel Bergman, his youngest son. Although it lacks the urgency and originality of the elder Bergman's greatest achievements, such as The Silence and Persona, it has enough visual and emotional interest to make a worthy addition to his body of work. Set in rural Sweden during the last 1920s, the story centers on a young boy named Pu, clearly modeled on Ingmar Bergman himself. Pu's father is a country clergymen whose duties include traveling to the capital and ministering to the royal family. While this is an enviable position, it doesn't assuage problems in the pastor's marriage. Pu is young enough to be fairly oblivious to such difficulties, but his awareness grows with the passage of time. So do the subtle tensions that mar Pu's own relationship with his father, whose desire to show affection and compassion is hampered by a certain stillness in his demeanor and chilliness in his emotions. The film's most resonant passages take place when Pu learns to see his father with new clarity while accompanying him on a cross-country trip to another parish. In a remarkable change of tone, this portion of the story is punctuated with flash forwards to a time 40 years in the future, showing the relationship between parent and child to be dramatically reversed. The father is now cared for by the son, and desires a forgiveness for past shortcomings that the younger man resolutely refuses to grant. Brief and abrupt though they are, these scenes make a pungent contrast with the sunny landscapes and comic interludes in the early part of the movie. Sunday's Children is a film of many levels, and all are skillfully handled by Daniel Begman in his directional debut. Gentle scenes of domestic contentment are sensitively interwoven with intimations of underlying malaise. While the more nostalgia sequences are photographed with an eye-dazzling beauty that occasionally threatens to become cloying, any such result is foreclosed by the jagged interruptions of the flash-forward sequences—an intrusive device that few filmmakers are agile enough to handle successfully, but that is put to impressive use by the Bergman team. Henrik Linnors gives a smartly turned performance as young Pu, and Thommy Berggren—who starred in the popular Elvira Madigan years ago—is steadily convincing as his father. Top honors go to the screenplay, though, which carried the crowded canvas of Fanny and Alexander and the emotional ambiguity of The Best Intensions into fresh and sometimes fascinating territory.
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单选题______for your help, I'd never have been able to achieve such a success.
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单选题The government's radical policies, together with international sanctions, ______ the unemployment rate in the country.
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单选题The uniqueness of the Japanese character is the result of two seemingly contradictory forces: the strength of traditions and selective receptivity to foreign achievements and inventions. As early as the 1860s, there were counter movements to the traditional orientation. Yukichi Fukuzawa, the most eloquent spokesman of Japan's "Enlightenment", claimed: "The Confucian civilization of the East seems to me to lack two things possessed by Western civilization: science in the material sphere and a sense of independence in the spiritual sphere." Fukuzawa's great influence is found in the free and individualistic philosophy of the Education Code of 1872, but he was not able to prevent the government from turning back to the canons of Confucian thought in the Imperial Rescript of 1890. Another interlude of relative liberalism followed World War I, when the democratic idealism of President Woodrow Wilson had an important impact on Japanese intellectuals and, especially students; but more important was the Leninist ideology of the 1917 Bolshevik Revolution. Again in the early 1930s, nationalism and militarism became dominant, largely as a result of failing economic conditions. Following the end of World War II, substantial changes were undertaken in Japan to liberate the individual from authoritarian restraints. The new democratic value system was accepted by many teachers, students, intellectuals, and old liberals, but it was not immediately embraced by the society as a whole. Japanese traditions were dominated by group values, and notions of personal freedom and individual rights were unfamiliar. Today, democratic processes are clearly evident in the widespread participation of the Japanese people in social and political life; yet, there is no universally accepted and stable value system. Values are constantly modified by strong infusions of Western ideas, both democratic and Marxist. School textbooks expound democratic principles, emphasizing equality over hierarchy and rationalism over tradition; but in practice these values arc often misinterpreted and distorted, particularly by the youth who translate the individualistic and humanistic goals of democracy into egoistic and materialistic ones. Most Japanese people have consciously rejected Confucianism, but vestiges of the old order remain. An important feature of relationships in many institutions such as political parties, large corporations, and university faculties is the oyabun-kobun or parent-child relation. A party leader, supervisor, or professor, in return for loyalty, protects those subordinate to him and takes general responsibility for their interests throughout their entire lives, an obligation that sometimes even extends to arranging marriages. The corresponding loyalty of the individual to his patron reinforces his allegiance to the group to which they both belong. A willingness to cooperate with other members of the group and to support without qualification the interests of the group in all its external relations is still a widely respected virtue. The oyabun-kohun creates ladders of mobility which an individual can ascend, rising as far as abilities permit, so long as he maintains successful personal ties with a superior in the vertical channel, the latter requirement usually taking precedence over a need for exceptional competence. As a consequence, there is little horizontal relationship between people even within the same profession.
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单选题Living with a roommate______constraint on her, she couldn't play her trumpet or have parties late at night.(复旦大学2011年试题)
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单选题A substance such as sand may be either fine or ______.
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单选题I was (on the verge) of (incurring) Mr. Rochester's wrath by not listening to his prohibitions, (while) a ray once more shone almost (imperceptibly) on the hallway wall and I heard his muffled step on the carpet.
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单选题The ______ question in this case is whether the accused had a motive for this crime or not. A. crucial B. forcible C. supreme D. valuable
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