基层民主

conditions-based withdrawal

Oil-for-Food

马太效应

老龄化人口

World Habitat Day

B英译汉/B

被捐款

社会保障

“蜀国多仙山，峨眉邈难匹。”中国唐代大诗人李白对峨眉山的咏叹，至今仍穿越时空，余音袅袅。峨眉山高出五岳、秀甲天下，山势雄伟、气象万千，素有“一山有四季，十里不同天”之妙喻。集自然风光与佛教文化为一体，著名的旅游胜地和佛教名山，1996年12月6日列入《世界文化与自然遗产名录》。 “仙山佛国”“植物王国”“动物乐园”“地质博物馆”……峨眉以优美的自然风光、悠久的佛教文化、丰富的动植物资源、独特的地质地貌享誉世界，千百年来香火旺盛，游人络绎。 峨眉，一个来了就不想走的地方。

The most complex lesson the literary point of view teaches—and it is not, to be sure, a lesson available to all, and is even difficult to keep in mind once acquired—is to allow the intellect to become subservient to the heart. What wide reading teaches is the richness, the complexity, the mystery of life. In the wider and longer view, I have come to believe, there is something deeply apolitical—something above politics—in literature, despite what feminist, Marxist, and other politicized literary critics may think. If at the end of a long life of reading the chief message you bring away is that women have had it lousy, or that capitalism stinks, or that attention must above all be paid to victims, then I'd say you just might have missed something crucial. Too bad, for there probably isn't time to go back to re-read your lifetime's allotment of five thousand or so books.People who have read with love and respect understand that the larger message behind all books, great and good and even some not so good as they might be, is, finally, cultivate your sensibility so that you may trust your heart. The charmingly ironic point of vast reading, at least as I have come to understand it, is to distrust much of one's education. Unfortunately, the only way to know this is first to become educated, just as the only way properly to despise success is first to achieve it.

沙尘暴

Ceefax BBC

同比

欧债危机

恶性通货膨胀

Power banks are restricted in your carry-on luggage.

个税起征点

first aid

A nobler want of man is served by nature, namely, the love of Beauty. The ancient Greeks called the world (Kosmos), beauty. Such is the constitution of all things, or such the plastic, power of the human eye, that the primary forms, as the sky, the mountain, the tree, the animal, give us a delight in and for themselves; a pleasure arising from outline, color, motion, and grouping. This seems partly owing to the eye itself. The eye is the best of artists. By the mutual action of its structure and of the laws of light, perspective is produced, which integrates every mass of objects, of what character soever, into a well colored and shaded globe, so that where the particular objects are mean and unaffecting, the landscape which they compose, is round and symmetrical. And as the eye is the best composer, so light is the first of painters. There is no object so foul that intense light will not make beautiful. And the stimulus it affords to the sense, and a sort of infinitude which it hath, like space and time, make all matter gay. Even the corpse has its own beauty. But besides this general grace diffused over nature, almost all the individual forms are agreeable to the eye, as is proved by our endless imitations of some of them, as the acorn, the grape, the pine-cone, the wheat-ear, the egg, the wings and forms of most birds, the lion's claw, the serpent, the butterfly, sea-shells, flames, clouds, buds, leaves, and the forms of many trees, as the palm. For better consideration, we may distribute the aspects of Beauty in a threefold manner. First, the simple perception of natural forms is a delight. The influence of the forms and actions in nature, is so needful to man, that, in its lowest functions, it seems to lie on the confines of commodity and beauty. To the body and mind which have been cramped by noxious work or company, nature is medicinal and restores their tone. The tradesman, the attorney comes out of the din and craft of the street, and sees the sky and the woods, and is a man again. In their eternal calm, he finds himself. The health of the eye seems to demand a horizon. We are never tired, so long as we can see far enough.