问答题Directions: You have just come back from Canada and found a music CD in your luggage that you forgot to re- turn to Bob, your landlord there. Write him a letter to 1) make an apology, and 2) suggest a solution. You should write about 100 words on ANSWER SHEET 2. {{B}}Do not{{/B}} sign your own name at the end of the letter. Use "Li Ming" instead. {{B}}Do not{{/B}} write the address. (10 points)

问答题The Golden Notebook

问答题Matthew Arnold

问答题Free variation(武汉大学2004研)

问答题Please comment on the following poem"s theme, historical significance and stylistic features in about 600 words. (90 points)The Love Song of J. Alfred PrufrockS "io credesse che mia risposta fosseA persona che mai tornasse al mondo,Questafiama staria senzapiu scosse.Maperciocche giammai di questo fondoNon torno vivo alcun, s"I"odo il veroSenza tema d"infamia ti rispondo.Let us go then, you and I, When the evening is spread out against the skyLike a patient etherized upon a table;Let us go, through certain half-deserted streets,The muttering retreatsOf restless nights in one-night cheap hotelAnd sawdust restaurants with oyster-shells;Streets tat follow like a tedious argumentOf insidious intentTo lead you to an overwhelming question...Oh, do not ask, "What is it?"Let us go and make our visit.In the room the women come and go Talking of Michelangelo.The yellow fog that rubs its back upon the window-panes,The yellow smoke that rubs its muzzle on the window-panes,Licked its tongue into the corners of the evening,Lingered upon the pools that stand in drains,Let fall upon its back the soot that falls from chimneys,Slipped by the terrace, made a sudden leap,And seeing that it was a soft October night,Curled once about the house, and fell asleep.And indeed there will be timeFor the yellow smoke that slides along the street,Rubbing its back upon the window-panes;There will be time, there will be timeTo prepare a face to meet the faces that you meet;There will be time to murder and create,And time for all the works and days of handsThat lift and drop a question on your plateTime for you and time for me,And time yet for a hundred indecisions,And for a hundred visions and revisions,Before the taking of a toast and tea.In the room the women come and go Talking of Michelangelo.And indeed there will be time To wonder, "Do I dare?" and, "Do I dare?"Time to turn back and descend the stair,With a bald spot in the middle of my hair—(They will say: "How his hair is growing thin!")My morning coat, my collar mounting firmly to the chin,My necktie rich and modest, but asserted by a simple pin—(They will say:" By how his arms and legs are thin!")Do I dare?Disturb the universe?In a minute there is timeFor decisions and revisions which a minute will reverse.For I have known them all already, known them all—Have known the evenings, mornings, afternoons,I have measured out my life with coffee spoons;I know the voices dying with coffee spoons;I know the voices dying with a dying fallBeneath the music from a farther room.So how should I presume?And I have known the eyes already, known them all—The eyes that fix you in a formulated phrase,And when I am formulated, sprawling on a pin,When I am pinned and wriggling on the wall,Then how should I beginTo spit out all the butt-ends of my days and ways?And how should I presume?And I have known the arms already, known them all—Arms that are braceleted and white and bare(But in the lamplight, downed with light brown hair!)Is it perfume from a dressThat makes me so digress?Arms that lie along a table, or wrap about a shawl.And should I then presume?And how should I begin?Shall I say, I have gone at dusk through narrow streetsAnd watched the smoke that rises from the pipes Of lonely men in shirt-sleeves, leaning out of windows?I should have been a pair of ragged claws Scuttling across the floors of silent seas...……And the afternoon, the evening, sleeps so peacefully!Smoothed by long fingers,Asleep... tired... or it malingers,Stretched on the floor, here beside you and me.Should I, after tea and cakes and ices,Have the strength to force the moment to its crisis?But though I have wept and fasted, wept and prayed,Though I have seen my head (grown slightly bald) brought in upon a platter,I am no prophet—and here"s no great matter;I have seen the moment of my greatness flicker,And I have seen the eternal Footman hold my coat, and snicker,And in short, I was afraid.And would it have been worth it, after all,After the cups, the marmalade, the tea,Among the porcelain, among some talk of you and me,Would it have been worth while,To have bitten off the matter with a smile,To have squeezed the universe into a ballTo roll it towards some overwhelming question, .To say: "I am Lazarus, come from the dead,Come back to tell you all, I shall tell you all"—If one, settling a pillow by her head,Should say: "That is not what I meant at all.That is not it, at all."And would it have been worth it, after all,Would it have been worth while,After the sunsets and the dooryards and the sprinkled streets,After the novels, after the teacups, after the skirts that trail alongThe floor—And this, and so much more? —It is impossible to say just what I mean!But as if a magic lantern threw the nerves in patterns on a screen:Would it have been worth whileIf one, settling a pillow or throwing off a shawl,And turning toward the window, should say:"That is not it at all,That is not what I meant, at all."No! I am not Prince Hamlet, nor was meant to be;Am an attendant lord, one that will doTo swell a progress, start a scene or two.Advise the prince; no doubt, an easy tool,Deferential, glad to be of usePolitic, cautious, and meticulous;Full of high sentence, but a bit obtuse;At times, indeed, almost ridiculous-Almost, at times, the Fool.I grow old... I grow old... I shall wear the bottoms of my trousers rolled.Shall I part my hair behind? Do I dare to eat a peach?I shall wear white flannel trousers, and walk upon the beach.I have heard the mermaids singing, each to each.I do not thing that they will sing to me.I have seen them riding seaward on the wavesCombing the white hair of the waves blown backWhen the wind blows the water white and black.We have lingered in the chambers of the seaBy sea-girls wreathed with seaweed red and brownTill human voices wake us, and we drown.

问答题psycholinguistics

问答题Semantic Triangle（大连外国语学院2008研)

问答题Oversoul

问答题Protestants

问答题Ernest Hemingway

问答题The food we eat seems to have profound affects on our health. 【M1】______Though science made enormous steps in making food fitter to eat, 【M2】______it has, at the same time, made many foods unfit to eat. Some researchhas shown that perhaps 80 percent of all human illnesses is related 【M3】______to diet and 40 percent of cancer is related to diet as well, especially cancer of the colon. Different cultures are more proneto contract certain illness because the food that is characteristic in 【M4】______these cultures. Which food is related to illness is not a new discovery. 【M5】______In 1945 , government researchers realized that nitrates and nitrites, commonly used to preserve color in meats, and other foodadditives, causing cancer. Yet, these carcinogenic additives remain 【M6】______in our food, and it becomes more difficult all the time knowing which 【M7】______things on the packaging labels of processed food are helpful or harmful. The additives which we eat are not all so direct. Farmers often give penicillin to beef and poultry, and because of this, penicillin has beenfound in the milk of treating cows. Sometimes similar drugs are 【M8】______administered to animals not for medical purposes, but for financialreasons. The farmers are simply trying to fat the animals in order to 【M9】______obtain a higher price on the market. Although the Food and DrugAdministration has tried repeated to control these procedures, 【M10】______the practices continue.

问答题What is Sapir-Whorf hypothesis?

问答题Translate the following passage into English. Write your translation on the ANSWER SHEET(20%) 在人际关系上我们不能太浪漫主义。人是很有趣的，往往在接触一个人时首先看到的都是他或她的优点。这一点颇像是在餐馆里用餐的经验。开始吃头盘或冷碟的时候，印象很好。吃头两个主菜时，也是赞不绝口。愈吃愈趋于冷静，吃完了这顿宴席，缺点就都找出来了。于是转喜为怒，转赞美为责备挑剔，转首肯为摇头。这是因为，第一，开始吃的时候你正处于饥饿状态，而饿了吃糖甜如蜜，饱了吃蜜也不甜。第二，你初到一个餐馆，开始举筷时有新鲜感，新盖的茅房三天香，这也可以叫做“陌生化效应”吧。

问答题Short-answer question: give a concise but adequate answer to the following question.Make a brief comment on the following elements of setting in which Pip met Estella in Great Expectations; the ivy growing on the ruins of Satis House, the "silvery mist" and the moonlight.

问答题Immediate constituent (武汉大学2008研；武汉大学2006研)

问答题Match the term with its definition.(10 points)a. an affixational process that forms a word with a meaning and/or category distinct from that of its basesb. the phenomenon that words having different meanings have the same formc. making the two phones similar by "copying "a feature of a sequential phonemed. the word which is more general in meaninge. the phenomenon that the same one word may have more than one meaningf. the phenomenon that a sound is to be deleted although it is orthographically representedg. the consequence of, or the change brought about by the utterance

问答题What is the difference between mistakes and errors?

问答题What are the differences between syntagmatic relations and paradigmatic relations? Please use examples to illustrate them.

问答题Write some phrase-structure rules(beginning with S→NP VP)which can generate the sentence: The men love a red car.

问答题plagiarize