填空题将下列词语译成汉语。(首都师范大学2010研，考试科目：英语翻译基础)nuclear nonproliferation treaty

填空题Discoveriesinscienceandtechnologyarethoughtby"untaughtminds"tocomeinblinding________orastheresultofdramaticaccidents.SirAlexanderFlemingdidnot,aslegendwouldhaveit,lookatthe________onapieceofcheeseandgettheideafor________thereandthen.Heexperimentedwith________substancesfornineyearsbeforehemadehis________.Inventionsandinnovationsalmostalwayscomeoutoflaborioustrialanderror.Innovationislikesoccer;eventhebestplayersmissthegoalandhavetheirshotsblockedmuchmorefrequentlythanthey________.The________isthattheplayerswhoscoremostaretheoneswhotakethemostshotsatthegoal—andsoitgoeswithinnovationinanyfieldofactivity.The________differencebetweeninnovatorsandothersisoneofapproach.Everybodygetsideas,butinnovatorswork________ontheirs,andtheyfollowthemthroughuntiltheyprovepracticableorotherwise.Whatordinarypeopleseeasfanciful________,professionalinnovatorsseeassolidpossibilities?

填空题If they {{U}}will not accept{{/U}} a check, we {{U}}shall have{{/U}} to pay {{U}}the cash{{/U}}, though it {{U}}would be{{/U}} much trouble for both sides. A. will not accept B. shall have C. the cash D. would be

填空题Translation．(吉林大学2005研，考试科目：英语语言实践)Television—the most pervasive and persuasive of modern technologies, marked by rapid change and growth—is moving into a new era, an era of extraordinary sophistication and versatility, which promises to reshape our lives and our world.It is an electronic revolution of sorts, made possible by the marriage of television and computer technologies. The word "television", derived from its Greek(tele:distant)and Latin(vision:sight)roots, can literally be interpreted as sight from distance. Very simply put, it works in this way: through a sophisticated system of electronics, television provides the capability of converting an image(focused on a special photo-conductive plate within a camera)into electronic impulses which can be sent through a wire of cable. These impulses, when fed into a receiver(television set), can then be electronically reconstituted into that same image.Television is more than just an electronic system however. It is a means of expression, as well as a vehicle for communication, and as such becomes a powerful tool for reaching other human beings. The field of television can be divided into two categories determined by its means of transmission. First, there is broadcast television, which reaches the masses through broad-based airwave transmission of television signals. Second, there is non-broadcast television, which provides for the needs of individuals or specific interest groups through controlled transmission techniques.

填空题Translation．(北京科技大学2008研，考试科目：基础英语) 第二天早上，天空阴暗多云，海面波涛起伏，但后来太阳出来了。风雨过后，更觉得空气清新，大海在闪闪发光。早饭后我到外面走走，经过市场，我看见售货摊上有从海里打来的鲜鱼卖。我朝着海边走去，看见在阳光下发着亮光的渔船回来了。它们满载着刚打的鱼，一条接一条地驶近岸边。我在那儿站了很久，看着渔夫们把鱼搬到岸上来。突然我听见有人在清冷的空气中说话。这是个老渔夫深沉有力的嗓音。原来刚才回来的第一条渔船是他的。我们攀谈起来，他对我说：“这是一条旧船了。原是我父亲的，我父亲是这个地方最好的渔夫。我呢?除了这条船外，一无所有。……哦!对了，还有这片土地，这片大海，也是我们的。”我永远忘不了他眼睛里的自豪感。

填空题Translate the following part of the Chinese essay into English，paying attention to the STYLE，COHESION and COHERENCE in the target text． “串姑娘” 景颇山的夜晚特别迷人。朦胧的月光下，聚集着一群景颇族男女青年，他们或吹箫或唱歌，情绵意笃，这种热闹场面，当地人叫“串姑娘”(一种求爱方式)。其实，“串姑娘”是景颇族青年一种极好的自由恋爱方式。青年到了一定年龄，利用节假日，走亲访友，劳动社交场合，都可以沟通心灵，表达自己的爱慕之情。“串姑娘”到一定阶段，男方便请“勒脚”(男方媒人)到女方家提亲，一旦女家同意这门亲事，双方便选定良辰吉日，举行婚礼。 景颇族婚礼，有的在下午举行。枪鸣三声，迎亲的队伍回来了。走在队伍前面的勒脚肩扛一只红木箱，另一个是“长统”(女方媒人)用背篓背着新被褥，中间是伴娘们簇拥着新娘。新娘上身穿无领黑色斜襟短衣，浮面套着银泡闪亮的大披肩。下围红底绣花筒裙，脚穿皮鞋。羞羞答答，不言不语，来到了一道路障前。原来景颇族举行婚礼，有个传统习俗。新娘在将到新郎家前的路上，要越三道路障。…… ……在喧闹声中，新郎拉着新娘的手，通过香蕉和甘蔗林、喜字桥进入洞房。

填空题One of the great American(7)______of the 1940s is Arthur(8)______, who led the postwar new drama. He is best known as the author of "Death of a(9)______". It is a sad version of the(10)______dream.

填空题The principal representative of American descriptive linguistics is L. Bloomfield, whose book ______ (1933) was once held as the model of scientific methodology. (中山大学2006研)

填空题The Prague School is best known and remembered for its contribution to phonology and the distinction between ______and phonology. The name of the most influential scholar in this connection is Trubetzkoy, whose most complete and authoritative statements of principle are formulated in his Principles of Phonology published in 19

填空题将下列短文译成汉语。(首都师范大学2010研，考试科目：英语翻译基础)A very large number of people cease when quite young to add anything to a limited stock of judgments. After a certain age, say 25, they consider that their education is finished.

填空题the lion"s share

填空题The sound[d]can be described with"______, alveolar stop/plosive".

填空题He changed his whole conception of human nature, and became for the first time deeply ______that Puritanism does not make for human happiness.(convince)

填空题______, by Ezra Pound, employs the complex association of scholarly lore, anthropology , modern history and personages, private history and Witticism, and obscure literary interpolations in various languages.

填空题People in China generally agree that it is important to celebrate the country"s rich history, but its culture police think there is too much of the wrong kind of celebrating going on. Two agencies, the Ministry of Culture and the State Administration of Cultural Heritage, have banned the promotion of " negative historical figures or literary works" for tourism purposes, theoretically ending a longstanding practice by Chinese cities of playing up their ties to racy cultural icons like the lustful Ximen Qing through festivals, theme parks and merchandise.A few lucky destinations in China, like Mao"s hometown of Shaoshan in Hunan province, are blessed with the notoriety of a state-approved celebrity, allowing them to rake in tourism dollars. But for most Chinese towns, bringing in tourists is hard work, which is made easier if they can stake a claim to someone famous, whether real, mythical or literary. Disputes can flare up among towns claiming to be the original homes of the same popular character. Just before the Ministry of Culture announced the new rules, Loufan county in Shanxi declared itself hometown of the Monkey King, challenging the same claim made first by Lianyungang City in Jiangsu, according to a recent article on Xinhua"s English-language website.Critics say that this kind of cultural infighting is embarrassing to China, especially when attracting foreign dollars is the motive. It is better if these cities manage and protect their own cultural heritage and intangible cultural resources, rather than compete with each other and humiliate themselves.In the past, tourist stunts by Chinese towns have been heavily frowned upon by the public. A sex theme park in southwestern China was demolished before it even opened, after inciting widespread condemnation. Earlier this year, public outcry forced government officials in Zhangjiajie to back away from plans to rename a local mountain " Avatar Hallelujah Mountain" after the popular Hollywood movie. The latest crackdown, however, goes further than any one campaign and promises to lay out strict guidelines for what is appropriate cultural celebration in the coming weeks.

填空题______defines the poet as " man speaking to men," and poetry as " the spontaneous overflow of powerful feelings which originates in emotion recollected in tranquility. "

填空题English______of the 19th century flourished in the forties and in the early fifties.

填空题Wordsmith

填空题Author______Title______ Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief That thou her maid art far more fair than she.

填空题Translate the following into Chinese．(华东师范大学2010研，考试科目：翻译)No doubt throughout all past time there actually occurred a series of events which, whether we know what it was or not, constitutes history in some ultimate sense. Nevertheless, much the greater part of these events we can know nothing about, not even that they occurred: many of them we can know only imperfectly: and even the few events that we think we know for sure we can never be absolutely certain of, since we can never revive them, never observe or test them directly. The event itself once occurred, but as an actual event it has disappeared: so that in dealing with it the only objective reality we can observe or test is some material trace which the event has left—usually a written document. With these traces of vanished events, these documents, we must be content since they are all we have: from them we infer what the event was, we affirm that it is a fact that the event was so and so. . . Let us then admit that there are two histories: the actual series of events that once occurred: and the ideal series that we affirm and hold in memory. The first is absolute and unchanged—it was what it was whatever we do or say about it: the second is relative , always changing in response to the increase or refinement of knowledge. The two series correspond more or less, it is our aim to make the correspondence as exact as possible, but the actual series of events exist for us only in terms of the ideal series which we affirm and hold in memory. This is why I am forced to identify history with knowledge of history. For all practical purposes history is, for us and for the time being, what we know it to be.History as the artificial extension of the social memory is an art of long standing, necessarily so since it springs instinctively from the impulse to enlarge the range of immediate experience, and however camouflaged by disfiguring jargon of science, it is still in essence what it has always been. History in this sense is story, in aim always a true story : a story that employs all the devices of literary art(statement and generalization, narration and description, comparison and comment and analogy)to present the succession of events in the life of man, and from the succession of events thus presented to derive a satisfactory meaning. The history written by historians, like the history informally fashioned by Mr. Everyman, is thus a convenient blend of truth and fancy, of what we commonly distinguish as " fact" and " interpretation". In primitive times, when tradition is orally transmitted, bards and story-tellers frankly embroider, or improvise the facts to heighten the dramatic import of the story. With the use of written records, history, gradually differentiated from fiction, is understood as the story of events that actually occurred: and with the increase and refinement of knowledge the historian recognizes that his first duty is to be sure of his facts, let their meaning be what it may. Nevertheless, in every age history is taken to be a story of actual events from which a significant meaning may be derived: and in every age the illusion is that the present version is valid because the related facts are true, whereas former versions are invalid because they are based upon inaccurate or inadequate facts.Left to themselves, the facts do not speak: left to themselves, they do not exist, not really since for all practical purposes there is no fact until someone affirms it . The least the historian can do with any historical fact is to select and affirm it. To select and affirm even the simplest complex of facts is to give them a certain place in a certain pattern of ideas, and this alone is sufficient to give them a special meaning. However " hard" or " cold" they may be, historical facts are after all not material substances which, like bricks or scantlings(锯解成(5立方英寸以下的)木、石块), possess definite shape and clear, persistent outline. To set forth historical facts is not comparable to dumping a barrow of bricks. A brick retains its form and pressure wherever placed : but the form and substance of historical facts, having a negotiable existence only in literary discourse, vary with the words employed to convey them. Since history is not part of the external material world, but an imaginative reconstruction of vanished events, its form and substance are inseparable: in the realm of literary discourse substance, being an idea is form: and form, conveying the idea, is substance. It is thus not the undiscriminated fact, but the perceiving mind of the historian that speaks:the special meaning which the facts are made to convey emerges from the substance-form which the historian employs to recreate imaginatively a series of events not present to perception.