单选题Motorways are, no doubt the safest roads in Britain. Mile (41) mile, vehicle for vehicle, you axe much (42) likely to be killed or seriously injured than on an ordinary road. On (43) hand, if you do have a serious accident on a motorway, fatalities are much more likely to (44) than in a comparable accident (45) on the roads. Motorways have no (46) bends, no roundabouts or traffic lights and (47) speeds are much greater than on other roads. Though the 70 mph limit is (48) in force, it is often treated with the contempt that most drivers have for the 30 mph limit applying in built up areas in Britain. Added to this is the fact that motorway drivers seem to like traveling in groups with perhaps (49) ten meters between each vehicle. The resulting horrific pile-ups (50) one vehicle stops for some reason—mechanical failure, driver error and so on—have become all (51) familiar through pictures in newspapers or on television. How (52) of these drivers realize that it takes a car about one hundred meters to brake to a stop (53) 70 mph? Drivers also seem to think that motorway driving gives them complete protection from the changing weather. (54) wet the road, whatever the visibility in mist or fog, they (55) at ridiculous speeds oblivious of police warnings or speed restrictions (56) their journey comes to a conclusion. Perhaps one remedy (57) this motorway madness would be better driver education. At present, learner drivers are barred (58) motorways and are thus as far as this kind of driving is (59) , thrown in at the deep end. However, much more efficient policing is required, (60) it is the duty of the police not only to enforce the law but also to protect the general public from its own foolishness.

单选题 Passage 3 Many different meanings have been given to the word poetry. It would weary my readers if I were to discuss which of these definitions ought to be selected; I prefer telling them at once that which I have chosen. In my opinion, Poetry is the search after, and the delineation of, the Ideal. The Poet is he who, by suppressing a part of what exists, by adding some imaginary touches to the picture, and by combining certain real circumstances that do not in fact happen together, completes and extends the work of nature. Thus the object of poetry is not to represent what is true, but to adorn it and to present to the mind some loftier image. Verse, regarded as the ideal beauty of language, may be eminently poetical; but verse does not of itself constitute poetry. I now proceed to inquire whether among the actions, the sentiments, and the opinions of democratic nations there are any which lead to a conception of the ideal, and which may for this reason be considered as natural sources of poetry. It must, in the first place, be acknowledged that the taste for ideal beauty, and the pleasure derived from the expression of it, are never so intense or so diffused among a democratic as among an aristocratic people. In aristocratic nations it sometimes happens that the body acts as it were spontaneously, while the higher faculties axe bound and burdened by repose. Among these nations the people will often display poetic tastes, and their fancy sometimes ranges beyond and above what surrounds them. But in democracies the love of physical gratification, the notion of bettering one's condition, the excitement of competition, the charm of anticipated success, are so many spurs to urge men onward in the active professions they have embraced, without allowing them to deviate for an instant from the track. The main stress of the faculties is to this point. The imagination is not extinct, but its chief function is to devise what maybe useful and to represent what is real. The principle of equality not only diverts men from the description of ideal beauty; it also diminishes the number of objects to be described. Aristocracy, by maintaining society in a fixed position, is favorable to the solidity and duration of positive religions as well as to the stability of political institutions. Not only does it keep the human mind within a certain sphere of belief, but it predisposes the mind to adopt one faith rather than another. An aristocratic people will always be prone to place intermediate powers between God and man. In this respect it may be said that the aristocratic element is favorable to poetry. When the universe is peopled with supernatural 'beings, not palpable to sense, but discovered by the mind, the imagination ranges freely; and poem, finding a thousand subjects to delineate, also find a countless audience to take an interest in their productions. In democratic ages it sometimes happens, on the contrary, that men are as much afloat in matters of faith as they are in their laws. Skepticism then draws the imagination of poets back to earth and confines them to the real and visible world. Even when the principle of equality does not disturb religious conviction, it tends to simplify it and to divert attention, from secondary agents, to fix it principally on the Supreme Power. Aristocracy naturally leads the human mind to the contemplation of the past and fixes it there. Democracy, on the contrary, gives men a sort of instinctive distaste for what is ancient. In this respect aristocracy is far more favorable to poetry; for things commonly grow larger and more obscure as they are more remote, and for this twofold reason they are better suited to the delineation of the ideal.Comprehension Questions:

单选题As Bender implies at the end of the passage, ____________.

单选题In which of the following publications would this passage most likely be printed?

单选题This can help to ______ something that the students may not have comprehended. A. signify B. specify C. testify D. clarify

单选题Some studies confirmed that this kind of eye disease was______in tropic countries.(电子科技大学2005年试题)

单选题If people feel hopeless, they don't bother to______the skills they need to succeed. (2013年厦门大学考博试题)

单选题If a guest wants to tip the housekeeping staff, it's best to leave a little something in an envelope each night instead of a larger amount ______ checkout. A. due to B. owingto C. prior to D. as to

单选题Passage 1 One silly question I simply cannot tolerate is "How do you feel?" Usually the question is asked of a man in action - a man walking along the street, or busily working at his desk. So what do you expect him to say? He'll probably say, "Fine, I'm an right. " But you have put a hug a his ear-maybe now he is not sure. If you are his good friend, you may have seen something on his face, or in his walk, that he over-looked that morning. It makes him worrying a little. He looks in a mirror to see if everything is all right, while you go merrily on your way asking someone else, "How do you feel?" Every question has its time and place. It's perfectly acceptable, for instance, to ask "How do you feel?" if you are visiting a close friend in the hospital. But if the fellow is walking on both legs, hurrying to take a train or sitting at his desk working, it's no time to ask him that silly question. When George Bernard Shaw, the famous British writer of plays was in his eighties, someone asked him, "How do you feel?" Shaw put him in his place. "When you reach my age," he said, "either you feel all right or you are dead. /

单选题Some commanders found ______ for not carrying out their orders.

单选题Listen to that laughter! They ______ themselves.

单选题To fight against computer crimes, a computer system needs a sure way of identifying its right users and rejecting those who are not entitled to use it. The identification system should be quick, simple, and convenient. At present, signatures are widely used to identify credit card holders, but it takes an expert to detect a good forgery. Sometimes even a human expert is fooled, and there is no reason to believe that a computer could do any better. Photographs are also sometimes used for identification. But, people find it inconvenient to stop by a credit card company aid to be photographed. Companies might lose business if they made the pictures under absolute requirement. Also, photographs are less useful these days, when people frequently change their appearance by changing the way they wear their hair. Finally, computer programs for analyzing photographs are still highly experimental. Cash-drawing systems often use two identification numbers: One is recorded on a magnetic stripe on the identification cards, and the other is given to the CRS holder. When the user inserts his card into the cash-drawing terminal, he keys in the identification number he has been given. The computer checks to see that the number recorded on the card and the other keyed in by the user refer to the, same person. For a long time, fingerprints have provided a method of positive identification. But they suffer from two problems. One is that there is no simple system for comparing fingerprints electronically, the other is that because most people associate being fingerprinted with being arrested; they almost surely would resist being fingerprinted for routine identification. Voiceprints have been suggested. With these, the user has only to speak a few words for the computer to analyze his voice. There are no psychological problems here. And technically it"s easier to take and analyze voiceprints than fingerprints. However, it has yet to be proved that the computer cannot be fooled by imitation. Also, the voice is subjected to the noise and distortion of a telephone line. Even lipprints have been suggested. But it"s doubtful that kissing computers will ever catch on.

单选题There Was nothing we could do ______ wait.

单选题The word "parochial" in the last paragraph means ______.

单选题 The president is ill, so the secretary will be ______ for him as chairman at the meeting.

单选题We're moving to a more ______ neighborhood.

单选题Five score years ago, a great American, ______ symbolic shadow we stand, signed the Emancipation Proclamation.

单选题The reason that the Coloured Resistance Movement didn't succeed is that ______.

单选题I'd rather you______so rudely to her.

单选题The history of Western music properly begins with the music of the Christian Church. But all through the Middle Ages and even to the present time men have continually turned back to Greece and Rome for instruction, for correction, and for inspiration in the several fields of work; this has been true in music, though with some important differences. Roman literature, for example, never ceased to exert influence in the Middle Ages, and this influence became much greater in the fourteenth and fifteenth centuries when more Roman works became known; at the same time, too, the surviving literature of Greece was gradually recovered. But in literature, as well as in some other fields (notably sculpture), medieval or Renaissance artists had the advantage of being able to study and, if riley so desired, imitate the models of antiquity. The actual poems or statues were before them. In music this was not so. The Middle Ages did not possess a single example of Greek or Ro man music--nor, it may be added, are we today much better off. About a dozen examples--half of them were fragments of Greek music have been discovered, nearly all from comparatively late periods, but there is no general agreement as to just how they were meant to sound; there are no authentic remains of ancient Roman music. So we, as well as the men of medieval times, derive nearly all our knowledge of this an in the ancient civilizations at second hand from a few rather vague accounts of performances, but mostly from theatrical treatises and literary descriptions.