单选题I"ll go to the airport tomorrow morning to ______ a good friend who leaves for Australia.

单选题The history of responses to the work of the artist Sandro Botticelli (1444-1510) suggests gests that widespread appreciation by critics is a relatively recent phenomenon. Writing in 1550, Vasari expressed an unease with Botticelli's work, admitting that the artist fitted awkwardly into his evolutionary scheme of the history of art. Over the next two centuries, academic art historians defamed Botticelli in favor of his fellow Florentine, Michelangelo. Even when anti-academic art historians of the early nineteenth century rejected many of the standards of evaluation adopted by their predecessors, Botticelli's work remained out side of accepted taste, pleasing neither amateur observers nor connoisseurs. (Many of his best paintings, however, remained hidden away in obscure churches and private homes. ) The primary reason for Botticelli's unpopularity is not difficult to understand: most observers, up until the mid-nineteenth century, did not consider him to be noteworthy, because his work, for the most part, did not Seem to these observers to exhibit the traditional characteristics of fifteenth-century Florentine art. For example, Botticelli rarely employed the technique of strict perspective and, unlike Michelangelo, never used chiaroscuro. Another reason for Botticelli's unpopularity may have been that his attitude toward the style of classical art was very different from that of his contemporaries. Although he was thoroughly exposed to classical art, he showed little interest in borrowing from the classical style. Indeed, it is paradoxical that a painter of large-scale classical subjects adopted a style that was only slightly similar to that of classical art. In any case, when viewers began to examine more closely the relationship of Botticelli's work to the tradition of fifteenth-century Florentine art, his reputation began to grow. Analyses and assessments of Botticelli made between 1850 and 1870 by the artists of the Pre-Raphaelite movement, as well as by the' writer Pater (although he, unfortunately, based his assessment on an incorrect analysis of Botticelli's personality), inspired a new appreciation of Botticelli throughout the English-speaking world. Yet Botticelli's work, especially the Sistine frescoes, did not generate worldwide attention until it was finally subjected to a comprehensive and scrupulous analysis by Home in 1908. Home rightly demonstrated that the frescoes shared important features with paintings by other fifteenth-century Florentines-features such as skillful representation of anatomical proportions, and of the human figure in motion. However, Home argued that Botticelli did not treat these qualities as ends in themselves-rather, that he emphasized clear depletion of a story, a unique achievement and one that made the traditional Florentine qualities less central. Because of Home's emphasis crucial to any study of art, the twentieth century has come to appreciate Botticelli's achievements.

单选题The objective of this popular consultation is to determine,______, the final political status of the region, whether to remain of the country as a special district, or to part from it.

单选题It was (and is) common to think that other animals are ruled by "instinct" whereas humans lost their instincts and ruled by "reason," and that this is why we are so much more flexibly intelligent than other animals. William James, in his book Principles of Psychology, took the opposite view. He argued that human behavior is more flexibly intelligent than that of other animals because we have more instincts than they do, not fewer. We tend to be Mind to the existence of these instincts, however, precisely because they work so well--because they process information so effortlessly and automatically. They structure our thought so powerfully, he argued, that it can be difficult to imagine how things could be otherwise. As a result, we take "normal" behavior for granted. We do not realize that "normal" behavior needs to be explained at all. This "instinct blindness" makes the study of psychology difficult. To get past this problem, James suggested that we try to make the "natural seem strange." It takes a mind debauched by learning to carry the process of making the natural seem strange, so far as to ask for the why of any instinctive human act. In our view, William James was right about evolutionary psychology. Making the natural seem strange is unnatural - it requires the twisted outlook seen, for example, in Gary Larson cartoons Yet it is a central part of the enterprise. Many psychologists avoid the study of natural competences, thinking that there is nothing there to be explained. As a result, social psychologists are disappointed unless they find a phenomenon "that would surprise their grandmothers," and cognitive psychologists spend more time studying how we solve problems we are bad at, like learning math or playing chess, than ones we are good at. But our natural competences - our abilities to see, to speak, to find someone beautiful, to reciprocate a favor, to fear disease, to fall in love, to initiate an attack, to experience moral outrage, to navigate a landscape, and myriad others - are possible only because there is a vast and heterogeneous array of complex computational machinery supporting and regulating these activities. This machinery works so well that we don't even realize that it exists - we all suffer from instinct' blindness. As a result, psychologists have neglected to study some of the most interesting machinery in the human mind.

单选题Furthermore, if I were to leave him, he would ______, for he cannot endure to be separated from me for more than one hour.(2005年中国科学院考博试题)

单选题As the director can't come to the reception, I'm representing the company ______. A. on his account B. on his behalf C. for his part D. in his interest

单选题The relationship between technology and development is complicated. At times the negative features of technology seem to ______ the positive ones. A.withdraw B.discharge C.maximize D.outweigh

单选题You will find the scenery is so beautiful if you view from the ______ of the hill.

单选题The village lies over the mountain and is ______ only by boat.

单选题The ongoing negotiation relied on unorthodox channels, avoiding the dull State Department, which he disdained.

单选题The employer tried to {{U}}bully{{/U}} his employees from staging strikes by threatening to close down the entire plant.

单选题Many stockholders got very nervous when the price went down and sold their stocks at once, while ______ investors held their stock until prices rose again.(2006年中国矿业大学考博试题)

单选题{{B}}Passage Two{{/B}} Visitors to St. Paul's Cathedral are sometimes astonished as they walk round the space under the arch to come upon a statue which would appear to be that of a retired armed man meditating upon a wasted life. They are still more astonished when they see under it an inscription indicating that it represents the English writer, Samuel Johnson. The statue is by Bacon, but it is not one of his best works. The figure is, as often in eighteenth-century sculpture, clothed only in a loose robe which leaves arms, legs and one shoulder bare. But the strangeness for us is not one of costume only. If we know anything of Johnson, we know that he was constantly ill all through his life; and whether we know anything of him or not we are apt to think of a literary man as a delicate, weakly, nervous sort of person. Nothing can be further from that than the muscular statue. And in this matter the statue is perfectly right. And the fact which it reports is far from being unimportant. The body and the mind are closely interwoven in all of us, and certainly in Johnson's case the influence of the body was extremely obvious. His melancholy, his constantly repeated conviction of the general unhappiness of human life, was certainly the result of his constitutional infirmities. On the other hand, his courage, and his entire indifference to pain, were partly due to his great bodily strength. Perhaps the vein of rudeness, almost of fierceness, which sometimes showed itself in his conversation, was the natural temper of an invalid and suffering giant. That at any rate is what he was. He was the victim from childhood of a disease which resembled St Vitus's Dance. He never knew the natural joy of a free and vigorous use of his limbs; when he walked it was like the struggling walk of one in irons. All accounts agree that his strange gestures and contortions were painful for his friends to witness and attracted crowds of starers in the streets. But Reynolds says that he could sit still for his portrait to be taken, and that when his mind was engaged by a conversation the convulsions ceased. In any case, it is certain that neither this perpetual misery, nor his constant fear of losing his reason, nor his many grave attacks of illness, ever induced him to surrender the privileges that belonged to his physical strength. He justly thought no character so disagreeable as that of a chronic invalid, and was determined not m be one himself. He had known what it was to live on four pence a day and scorned the life of sofa cushions and tea into which well-attended old gentlemen so easily slip.

单选题Once you get to know your mistakes, you should ______ them as soon as possible. A. rectify B. reclaim C. refrain D. reckon

单选题______at the outset, ______ instead of shifting thing about may be pheromones released when they reach committee size.

单选题My boss insists on seeing everything in______before he makes a decision. A. black and blue B. red and blue C. black and white D. green and yellow

单选题It is thus of exceptional importance ______ extinction theories, but until now problems with dating have limited its potential.

单选题Notable' as important nineteenth-century novels by women, Mary Shelley's Frankenstein and Emily Bronte's Wuthering Heights treat women very differently. Shelley produced a "masculine" text in which the fates of subordinate female characters seem entirely dependent on the actions of male heroes or anti-heroes. Bronte produced a more realistic narrative portraying a world where men battle for the favors of apparently high-spirited, independent women. Nevertheless, these two novels are alike in several crucial ways. Many readers are convinced that the compelling mysteries of each plot conceal elaborate structures of allusion and fierce, though shadowy, moral ambitions that seem to indicate metaphysical intentions, though efforts by critics to articulate these intentions have generated much controversy. Both novelists use a storytelling method that emphasizes ironic disjunctions between different perspectives on the same events as well as ironic tensions that inhere in the relationship between surface drama and concealed authorial intention, a method I call an evidentiary narrative technique.

单选题Eating is related to emotional as well as physiologic needs. Sucking, which is the infant's means of gaining both food and emotional security, conditions the association of eating with well-being or with deprivation. If the child is breast-fed and has supportive body contact as well as good milk intake, if the child is allowed to suck for as long as he or she desires, and if both the child and mother enjoy the nursing experience and share their enjoyment, the child is more likely to thrive both physically and emotionally. On the other hand, if the mother is nervous and resents the child or cuts him or her off from the milk supply before either the child's hunger or sucking need is satisfied, or handles the child hostilely during the feeding, or props the baby with a bottle rather than holding the child, the child may develop physically but will begin to show signs of emotional disturbance at an early age. If, in addition, the infant is further abused by parental indifference or intolerance, he or she will carry scars of such emotional deprivation throughout life. Eating habits are also conditioned by family and other psychosocial environments. If an individual's family eats large quantities of food, then he or she is inclined to eat large amounts. If an individual's family eats mainly vegetables, then he or she will be inclined to like vegetables. If mealtime is a happy and significant event, then the person will tend to think of eating in those terms. And if a family eats quickly, without caring what is being eaten and while fighting at the dinner table, then the person will most likely adopt the same eating pattern and be adversely affected by it. This conditioning to food can remain unchanged through a lifetime unless the individual is awakened to the fact of conditioning and to the possible need for altering his or her eating patterns in order to improve nutritional intake. Conditioning spills over into and is often reinforced by religious beliefs and other customs so that, for example, a Jew, whose religion forbids the eating of pork, might have guilt feelings if he or she ate pork. An older Roman Catholic might be conditioned to feel guilty if he or she eats meat on Friday, traditionally a fish day.