单选题The microscope can ______ the object 100 times. [A] magnify [B] increase [C] develop [D] multiply

单选题Architects are hopeless when it comes to deciding whether the public will view their designs as marvels or monstrosities, according to a study by Canadian psychologists. They say designers should go back to school to learn about ordinary people's tastes. Many buildings that appeal to architects get the thumbs down from the public. Robert Gifford of the University of Victoria in British Columbia decided to find out whether architects understand public preferences and simply disagree with them, or fail to understand the lay person's view. With his colleague Graham Brown, he asked 25 experienced architects to look at photos of 42 large buildings in the US, Canada, Europe and Hong Kong. The architects predicted how the public would rate the buildings on a scale of 1 to 10, where 1 represented "terrible" and 10 "excellent". A further 27 people who were not architects also scored the buildings out of 10. In addition, eight architects gave their own personal ratings of the buildings. The three groups tended to agree among themselves on a building's merits. And architects correctly predicted that lay people would on average rate buildings higher than they did themselves. But for individual building, the architect's perceptions of what the lay people would think were often way off the mark. "Some architects are quite good at predicting lay preferences, but others are not only poor at it, they get it backwards." says Gifford. For instance, architects gave the Stockley Park Building B-3 offices in London a moderate rating of 5.2. They thought the public would like it much better, predicting a rating of 6.3. But the public actually disliked the offices, and gave it 4.7. Gifford thinks that lay people respond to specific features of buildings, such as durability and originality, and hope to pin down what they are. "Architects in architecture school need to be taught how lay people think about buildings," Gifford concludes. He doesn't think designers should pander to the lowest common denominator, but suggests they should aspire towards buildings that appeal to the public and architects alike, such as the Bank of China building in Hong Kong. Marco Goldschmeid of the Richard Rogers Partnership, designers of the Millennium Dome in London, thinks the study is flawed. "The authors have assumed, wrongly, that buildings can be meaningfully judged from photographs rather than actual visits," he says. Goldschmeid thinks it would be more significant and interesting to look at the divergence of public taste between generations.

单选题The English are famous for exchanging ______ remarks on the weather.

单选题The school authority ______ against students' smoking both in the classrooms and at home.

单选题The objective of this popular consultation is to determine,______, the final political status of the region, whether to remain of the country as a special district, or to part from it.(浙江大学2010年试题)

单选题It is a myth that the law permits the Food and Drug Administration to ignore re quirements for______.drugs while brand-name drugs still must meet these rigid tests. A. specific B. generic C. intricate D. acrid

单选题The Chinese language differs ______ from the English language because of their different writing system and pronunciation.

单选题The United States (has sent) several (spacecrafts) into orbits (around the earth) and has collected a lot of (information). A. has sent B. spacecrafts C. around the earth D. information

单选题The blue, mystic Lake Ellsinore lies in an inland California valley, which is teeming and steaming with hot springs. Rimmed by shaggy mountains whose forested crests are reflected in its clear waters, Lake Ellsinore is the very personification of peace--but on it rests the curse of Tondo. The lake had a colorful history. Much of it lies buried in legend, and it is difficult to separate fact from fiction. There have been stories of underground volcanoes on the lake bottom, erupting, killing fish and discoloring the water. There have been stories of a playful sea serpent that lived in its depths. Long noted for its scenic beauty and health-giving waters, the lake was a famous resort in the Nineties. But long before the first white man had set foot along the shore of the lake, this part of California had been the home of the Soboba Indians. Their chief was Tondo, a stern and unforgiving man. He had a daughter, Morning Star, who was in love with Palo, son of the chief the Pales, a neighboring tribe. The Sobobas and Pales were sworn enemies. For a time the lovers met secretly. Then one day they were discovered by Tondo. His rage was terrible to behold. He forbade the lovers ever to meet again. Morning Star tried in every way to appease her father's anger, to soften his heart toward Palo. But in time she saw that it was useless; that he would never give his consent to their marriage. Vowing that they would never be separated, the Indian maid and her lover walked hand in hand into the lake, as the dreary November sun cast long shadows on the land. They were followed by a group of orphan children whom Morning Star had befriended. All walked into the lake, singing the mournful death song of their people, while Tondo stood on the shore and cursed the lovers, cursed the blue water into which they all walked to their death. Ever since that day it would see that a jinx has been laid over Lake Ellsinore. Old-timers tell of a great upheaval in the lake which caused water to spout into the air like a geyser and turn blood-red. Later, 'it became known that three hundred springs of boiling mud and water were born in the valley during that upheaval. The springs reeked with sulphur. For many years after this phenomenon the lake remained peaceful. Then boats were overturned for an apparent reason, and few of their occupants ever returned to tell the story. This continued for several years. At the same time, strong swimmers dived into the lake never to reappear. In 1833 and again in 1846, fish in the lake suddenly died. In the spring of 1850 came the Battle of the Gnats. They bred in the water of the lake and swarmed over the land. They invaded the countryside until the harassed inhabitants called for help. And in July 1951, the sky-blue waters of the lake vanished like mist before a noonday sun. When the bottom was laid bare there was no trace of a volcano, the bottomless pits, or the other disturbances of legend or fact. The copious winter rains of 1951～1952 have replenished the lake. But what menace does its haunting beauty hold today? For tomorrow? The once mighty Sobobas are few now. But the old men swear that their ancestors still haunt the lake. They nod grizzled head and murmur that the Great Tondo's curse will forever remain upon the lake. Only Time, the wise and silent one, can tell.

单选题Language belongs to each one of us, to the flower-seller ______ to the professor.

单选题His unexpected arrival threw everything into______.

单选题Picture-taking is a technique both for annexing the objective world and for expressing the singular self. Photographs depict objective realities that already exist, though only the camera can disclose them. And they depict an individual photographer"s temperament, discovering itself through the camera"s cropping of reality. That is, photography has two antithetical ideals: in the first, photography is about the world and the photographer is a mere observer who counts for little; but in the second, photography is the instrument of intrepid, questing subjectivity and the photographer is all. These conflicting ideals arise from a fundamental uneasiness on the part of both photographers and viewers of photographs toward the aggressive component in "taking" a picture. Accordingly, the ideal of a photographer as an observer is attractive because it implicitly denies that picture-taking is an aggressive act. The issue, of course, is not so clear-cut. What photographers do cannot be characterized as simply predatory or as simply, and essentially, benevolent. As a consequence, one ideal of picture-taking or the other is always being rediscovered and championed. An important result of the coexistence of these two ideals is a recurrent ambivalence toward photography"s means. Whatever the claims that photography might make to be a form of personal expression on a par with painting, its originality is inextricably linked to the powers of a machine. The steady growth of these powers has made possible the extraordinary informativeness and imaginative formal beauty of many photographs, like Harold Edgerton"s high-speed photographs of a bullet hitting its target or of the swirls and eddies of a tennis stroke. But as cameras become more sophisticated, more automated, some photographers are tempted to disarm themselves or to suggest that they are not really armed, preferring to submit themselves to the limits imposed by premodern camera technology because a cruder, less high-powered machine is thought to give more interesting or emotive results, to leave more room for creative accident. For example, it has been virtually a point of honor for many photographers, including Walker Evans and Cartier-Bresson, to refuse to use modem equipment. These photographers have come to doubt the value of the camera as an instrument of "fast seeing." Cartier-Bresson, in fact, claims that the modem camera may see too fast. This ambivalence toward photographic means determines trends in taste. The cult of the future (of faster and faster seeing) alternates over time with the wish to return to a purer past—when images had a handmade quality. This nostalgia for some pristine state of the photographic enterprise is currently widespread and underlies the present-day enthusiasm for daguerreotypes and the wok of forgotten nineteenth-century provincial photographers. Photographers and viewers of photographs, it seems, need periodically to resist their own knowingness.

单选题She was afraid that unless the train speeded up she would lose her ______ to Scotland A. ticket B. place C. seat D. connection

单选题In the opening paragraph, why does the author prefer to use the term "desiredness"?

单选题The teacher tried to explain the problem, but the explanation did not ______.

单选题______both in working life and everyday living to different sets of values, and expectations places a severe strain on the individual.(2002年3月中国科学院考博试题)

单选题The flower under the sun would ______ quickly without any protection. A. wink B. withhold C. wither D. widower

单选题He claims that advertising today tends to portray women in traditional roles such as cooking or taking care of the baby.(2004年中国人民大学考博试题)

单选题Childhood can be a time of great insecurity and loneliness, during which tile need to be accepted by peers ______ great significance.

单选题After 1989 the external______vanished, but the danger to American civilization remained. A. disruption B. menace C. liability D. emergence