研究生类
公务员类
工程类
语言类
金融会计类
计算机类
医学类
研究生类
专业技术资格
职业技能资格
学历类
党建思政类
博士研究生考试
公共课
专业课
全国联考
同等学历申硕考试
博士研究生考试
考博英语
考博英语
单选题We may infer from paragraph 4 that the writer generally disagrees with one of the following ideas ______.
进入题库练习
单选题In his usual ______ manner, he had insured himself against this type of loss. A. indifferent B. pensive C. cautious D. caustic
进入题库练习
单选题The manager stubbornly ______ the section director from reducing his staff despite the failing business of the company. A. hindered B. adapted C. imposed D. permitted
进入题库练习
单选题In many countries tobacco and medicine are government ______. A. control B. monopoly C. business D. belongings
进入题库练习
单选题There are quite a few people who are willing to prostitute their intelligence for a mess of pottage.
进入题库练习
单选题From the context, he meaning of the sentence "When an individual enters a strange culture, he or she is like fish out of water" is ______.
进入题库练习
单选题According to the weather forecast, which is usually ______, it will snow this afternoon. A. accurate B. dull C. awkward D. tedious
进入题库练习
单选题
进入题库练习
单选题Three years______before he returned home from the United States. A. denoted B. destined C. elapsed D. enveloped
进入题库练习
单选题
进入题库练习
单选题{{B}}Passage Two{{/B}} Every living thing has an inner biological clock that controls behavior. The clock works all the time even when there are no outside signs to mark the passing of time. The biological clock tells plants when to form flowers and when the flowers should open. It tells insects when to leave the protective cocoon and fly away. And it tells animals when to eat, sleep and wake. It controls body temperature, the release of some hormones and even dreams. These natural daily events are circadian rhythms. Man has known about them for thousands of years. But the first scientific observation of circadian rhythms was not made until 1729. In that year French astronomer, Jean-Jacques d'Ortous de Mairan, noted that one of his plants opened its leaves at the same time every morning, and closed them at the same time every night. The plant did this even when he kept it in a dark place all the time. Later scientists wondered about circadian rhythms in humans. They learned that man's biological clock actually keeps time with a day of a little less than 25 hours instead of the 24 hours on a man-made clock. About four years ago an American doctor, Eliot Weitzman, established a laboratory to study how our biological clock works. The people in his experiments are shut off from the outside world. They are free to listen to and live by their circadian rhythms. Dr. Weitzman hopes his research will lead to effective treatments for common sleep problems and sleep disorders caused by aging and mental illness. The laboratory is in the Monteflore Hospital in New York City. It has two living areas with three small rooms in each. The windows are covered, so no sunlight or moonlight comes in. There are no radios or television receivers. There is a control room between the living areas. It contains computers, one-way cameras and other electronic devices for observing the person in the living area. The instruments measure heartbeat, body temperature, hormones in the blood, other substances in the urine and brain waves during sleep. A doctor or medical technician is on duty in the control room 24 hours a day during an experiment They do not work the same time each day and are not permitted to wear watches, so the person in the laboratory has no idea what time it is. In the first four years of research, Dr Weitzman and his assistant have observed 16 men between the ages of 21 and 80. The men remained in the laboratory for as long as six months. Last month, a science reporter for The New York Times newspaper, Dava Sobol, became the first woman to take part in the experiment. She entered the laboratory on June 13th and stayed for 25 days. Miss Sobol wrote reports about the experiment during that time, which were published in the newspaper.
进入题库练习
单选题Sustainable development is applied to just about everything from energy to clean water and economic growth, and as a result it has become difficult to question either the basic assumptions behind it or the way the concept is put to use. This is especially true in agriculture, where sustainable development is often taken as the sole measure of progress without a proper appreciation of historical and cultural perspectives. To start with, it is important to remember that the nature of agriculture has changed markedly throughout history, and will continue to do so. Medieval agriculture in northern Europe led, clothed and sheltered a predominantly rural society with a much lower population density than it is today. It had minimal effect on biodiversity, and any pollution it caused was typically localized. In terms of energy use and the nutrients captured in the product it was relatively inefficient. Contrast this with farming since the start of the industrial revolution. Competition from overseas led farmers to specialize and increase yields. Throughout this period food became cheaper, safe and more reliable. However, these changes have also led to habitat loss and to diminishing biodiversity. What"s more, demand for animal products in developing countries is growing so fast that meeting it will require an extra 300 million tons of grain a year by 2050. Yet the growth of cities and industry is reducing the amount of water available for agriculture in many regions. All this mean that agriculture in the 21st century will have to be very different from how it was in the 20st. This will require radical thinking. For example, we need to move away from the idea that traditional practices are inevitably more sustainable than new ones. We also need to abandon the notion that agriculture can be "zero impact". The key will be to abandon the rather simple and static measures of sustainability, which centre on the need to maintain production without increasing damage. Instead we need a more dynamic interpretation, one that looks at the pros and cons of all the various ways land is used. There are many different ways to measure agricultural performance besides food yield: energy use, environmental cost, water purity, carbon footprint and biodiversity. It is clear, for example, that the carbon of transporting tomatoes from Spain to the UK is less than that of producing them in the UK with additional heating and lighting. But we do not know whether lower carbon footprints will always be better for biodiversity. What is crucial is recognizing that sustainable agriculture is not just about sustainable food production.
进入题库练习
单选题Unfortunately, his damaging attacks on the ramifications of the economic policy have been ______ by his wholehearted acceptance of that policy"s underlying assumptions.
进入题库练习
单选题Her remarks ______ a complete disregard for human rights. A. magnified B. maintained C. manipulated D. manifested
进入题库练习
单选题One of the most common techniques is to add alloying elements that Uinhibit/U the corrosion.
进入题库练习
单选题I've told you ______ that you cannot to out and play until you've finished your homework.
进入题库练习
单选题Extraordinary creative activity has been characterized as revolutionary, flying in the face of what is established and producing not what is acceptable but what will become accepted. According to this formulation, highly creative activity transcends the limits of an existing form and establishes a new principle of organization. However, the idea that extraordinary creativity transcends established limits is misleading when it is applied to the arts, even though it may be valid for the sciences. Differences between highly creative art and highly creative science arise in part from a difference in their goals. For the sciences, a new theory is the goal and end result of the creative act. Innovative science produces new propositions in terms of which diverse phenomena can be related to one another in more coherent ways. Such phenomena as a brilliant diamond or a nesting bird are relegated to the role of data, serving as the means for formulating or testing a new theory. The goal of highly creative art is very different: the phenomenon itself becomes the direct product of the creative act. Shakespeare' s Hamlet is not a tract about the behavior of indecisive princes or the uses of political power, nor is Picasso' s painting Guernica primarily a propositional statement about the Spanish Civil War or the evils of fascism. What highly creative artistic activity produces is not a new generalization that transcends established limits, but rather an aesthetic particular. Aesthetic particulars produced by the highly creative artist extend or exploit, in an innovative way, the limits of an existing form, rather than transcend that form. This is not to deny that a highly creative artist sometimes establishes a new principle of organization in the history of an artistic field; the composer Monteverdi, who created music of the highest aesthetic value, comes to mind. More generally, however, whether or not a composition establishes a new principle in the history of music has little bearing on its aesthetic worth. Because they embody a new principle of organization, some musical works, such as the operas of Florentine Cnmerata, are of signal historical importance, but few listeners or musicologists would include these among the great works of music. On the other hand, Mozart' s The Marriage of Figaro is surely among the masterpieces of music even though its modest innovations are confined to extending means. It bas been said of Beethoven that he toppled the rules and freed music from the stifling confines of convention. But a close study of his compositions reveals that Beethoven overturned no fundamental rules. Rather, he was an incomparable strategist who exploited limits— the rules, forms, and conventions that he inherited from predecessors such as taydn and Mozart, Handel and Bach—in strikingly original ways.
进入题库练习
单选题When we listen to music, we are easily ______ of events in the past.
进入题库练习
单选题{{B}}Passage 3{{/B}} The Greek's lofty attitude toward scientific research—and the scientists' contempt of utility—was a long time dying. For a millennium after Archimedes, this separation of mechanics from geometry inhibited fundamental technological progress and in some areas repressed it altogether. But there was a still greater obstacle to change until the very end of the middle ages: the organization of society. The social system of fixed class relationships that prevailed through the Middle Ages (and in some areas much longer) itself hampered improvement. Under this system, the laboring masses, in exchange for the bare necessities of life, did all the productive work, while the privileged few—priests, nobles, and kings—concerned themselves only with ownership and maintenance of their own position. In the interest of their privileges they did achieve considerable progress in defense, in warmaking, in government, in trader in the arts of leisure, and in the extraction of labor from their dependents, but they had no familiarity with the process of production. On the other hand, the laborers, who were familiar with manufacturing techniques, had no incentive to improve or increase production to the advantage of their masters. Thus, with one class possessing the requisite knowledge and experience, but lacking incentive and leisure, and the other class lacking the knowledge and experience, there was no means by which technical progress could be achieved. The whole ancient world was built upon this relationship—a relationship as sterile as it was inhuman. The availability of slaves nullified the need for more efficient machinery. In many of the conmonplace fields of human endeavor, actual stagnation prevailed for thousands of years. Not all the glory that was Greece and the grandeur that was Rome could develop the windmill or contrive so simple an instrument as the wheelbarrow—products of the tenth and thirteenth centuries respectively. For about twenty-five centuries, two-thirds of the power of the horse was lost because he wasn't shod, and much of the strength of the ox was wasted because his harness wasn't modified to fit his shoulders. For more than five thousand years, sailors were confined to rivers and coasts by a primitive steering mechanism which required remarkably little alteration (in the thirteenth century) to become a rudder. With any ingenuity at all, the ancient plough could have been put on wheels and the ploughshare shaped to bite and turn the sod instead of merely scratching it—but the ingenuity wasn't forthcoming. And the villager of the Middle Ages, like the men who first had fire, had a smoke hole in the center of the straw and reed thatched roof of his one-room dwelling (which he shared with his animals), while the medieval charcoal burner (like his Stone Age ancestor) made himself a hut of small branches.
进入题库练习
单选题The term "New Australians" came into vogue in the 50s and 60s, which implied that the goal of immigration was assimilation and that migrants would place their new-found Australian identity ahead of the ______ context from which they had come.
进入题库练习