I thought someone was standing______me but I didn't dare to turn______.

Although French, German, American and British pioneers have all been credited with the invention of cinema, the British and the Germans played a relatively small role in its worldwide exploitation. It was above all the French, followed closely by the Americans, who were the most passionate exporters of the new invention, helping to start cinema in China, Japan, Latin America and Russia. In terms of artistic development it was again the French and the Americans who took the lead, though in the years before the First World War, Italy, Denmark and Russia also played a part. 【B1】______By protecting their own market and pursuing a vigorous export policy, the Americans achieved a dominant position on the world market by the start of the First World War. The centre of film-making had moved westwards, to Hollywood, and it was films from these new Hollywood studios that flooded onto the world's film markets in the years after the First World War, and have done so ever since. Faced with total Hollywood domination, few film industries proved competitive. The Italian industry, which had pioneered the feature film with spectacular films like Quo Vadis?(1913)and Cabiria(1914), almost collapsed. In Scandinavia, the Swedish cinema had a brief period of glory, notably with powerful epic films and comedies. Even the French cinema found itself in a difficult position. In Europe, only Germany proved industrially capable, while in the new Soviet Union and in Japan, the development of the cinema took place in conditions of commercial isolation. 【B2】______Hollywood films appealed because they had better-constructed narratives, their special effects were more impressive, and the star system added a new dimension to screen acting. If Hollywood did not have enough of its own resources, it had a great deal of money to buy up artists and technical innovations from Europe to ensure its continued dominance over present or future competition. 【B3】______However, during this "Silent Film" era, animation, comedy, serials and dramatic features continued to thrive, along with factual films or documentaries, which acquired an increasing distinctiveness as the period progressed. It was also at this time that the avant-garde film first achieved commercial success, this time thanks almost exclusively to the French and the occasional German film. 【B4】______Of these, the French displayed the most continuity, in spite of the war and postwar economic uncertainties. The German cinema, relatively insignificant in the pre-war years, exploded on to the world scene after 1919. Yet even they were both overshadowed by the Soviets after the 1917 Revolution. They turned their back on the past, leaving the style of the pre-war Russian cinema to the Emigres who fled westwards to escape the Revolution. 【B5】______For example, Britain had an interesting but undistinguished history in the silent period: Italy had a brief moment of international fame just before the war: the Scandinavian countries , particularly Denmark, played a role in the development of silent cinema quite out of proportion to their small population: and Japan's cinemas developed based primarily on traditional theatrical and, to a lesser extent, other art forms and only gradually adapted to western influence. Questions 61 to 65Choose from the sentences A—G the one which best fits each gap of 61—65. There are two extra sentences which you do not need to use.A. In rencent years, more and more people enjoyed watching Hollywood films.B. Film style differs in different countries.C. Of the countries which developed and maintained distinctive national cinemas in the silent period , the most important were France, Germany and the Soviet Union.D. There are other countries whose cinemas changed dramatically.E. Hollywood took the lead artistically as well as industrially.F. In the end it was the United States that was to become, and remain, the largest single market for films.G. From early cinema, it was only American slapstick comedy that successfully developed in both short and feature format.

{{B}}Part Ⅴ Translation{{/B}}

The largest state of the United States is______. It is also known as "the great land".

The Big Ben is one of London's best-known landmarks, and it looks most spectacular at night when the clock faces are______.

She refused to______the door key to the landlady until she got back her deposit.

Where does this conversation probably take place?

He always believes that the world won't achieve the ultimate peace until all thieves are sent to ______prison

Whichcodematchesthepatterngivenattheendoftheline?

{{B}}Section A{{/B}}

Fanny Kemble(1809—93)was the niece of two Shakespearean tragedians, Sarah Siddons and Siddons's brother, John Philip Kemble.【R1】______In fact her whole extended family constituted the foremost theatrical dynasty of the late 18th and early 19th centuries. Handsome and gifted, they crop up in letters and diaries throughout the period, and were generally regarded as a kind of royalty: a race apart. 【R2】______As her friend Henry James noted: " in two hemispheres, she had seen everyone, had known everyone". What's more, she recorded it all in many volumes of vividly written memoirs, all swarming with people, criticism, social commentary, anecdote, scenery, political o-pinion and superb set-pieces: the digging of Brunei's Thames tunnel, for instance. Kemble's memoirs, especially her "Journal of a Residence on a Georgian Plantation" , are as important historically as they are engrossing. But what fascinates us now is the way that Fanny, clever and reckless as she was, broke the rules-or the way she appropriated and revised the role prescribed to her by gender politics. 【R3】______She spoke her mind and thought nothing of walking into a stream fully clothed if it was hot. It wasn't until her marriage that her gender collided with the realities of power and money. Though she was never intended for the stage, the looming bankruptcy of her father obliged her to try her chances. Overnight, she became the toast of London. Money flowed, and yet more on a tour of America, where she met a seductive young man, Pierce Butler, heir to huge rice and cotton slave-plantations in Georgia. Hoping to escape the shallow emotionalism of the theatre, assuming a companionship of equals and somehow she managed to forget the slaves, she married him. 【R4】______ Butler, deeply illiberal exerted his rights. He appropriated her earnings, censored her writing and when she woke to the horrors of slavery, forbade her public opposition to it. She wept, she ran away, she returned. The birth of children, in whom she had no legal rights, further enchained her. 【R5】______The Butlers did divorce. She did lose the children. But on their majority, she recovered them. She made her own money again. Criss-crossing the Atlantic, she gave Shakespeare readings to packed audiences. Every summer, she climbed the Alps, startling the guides by singing loudly as she went. She met James in 1872 and he fell under her spell, fascinated by her proud idealism, her eccentric honesty and above all by her talk of "old London". "She reanimated the old drawing rooms, " he wrote, "relighted the old lamps, returned the old pianos. " When at last she died, he felt it, he said, "like the end of some reign or the fall of some empire. " Questions 61 to 65A. At a stroke she lost everything.B. The rest of Kemble's life was sheer indomitability.C. The real competition for any biographer of Kemble is Kemble herself.D. She forgot the existence of slavery in American plantations.E. She never cared about such prescriptions.F. The Kemble family was once a royal family that is separated from common people.G. Her father and her French mother were also actors.

If two typists can type two pages in two minutes, how many typists will it take to type 18 pages in six minutes?

{{B}}Part Ⅳ Reading Comperhension{{/B}}

Peter's son is the father of my son, then what is the relationship between Peter and me?

{{B}}Part Ⅴ Translation{{/B}}

______is the first weekday after Christmas, a legal holiday in the UK, Australia and New Zealand.

What does Liz McCartney think of her winning the prize?

Management in Cyberspace Virtual reality is often used to mimic hazardous environments—cockpits of combat aircraft, burning oil rigs, the treasure-strewn caves of irritable dragons and so on. Until now, though, it has rarely been deployed to simulate that most hazardous environment of all—the office. But if Sandra Testani of the Franklin Institute in Philadelphia has her way, it will soon be possible to hone the black arts of office politics and corporate survival on a computer before you employ them against your colleagues in the real world. Or, from the boss's point of view, you will be able to practise your skills at "co-operating" in virtual "team-building" exercises. Dr. Testani's virtual world is called CIMBLE. The acronym stands for CADETT which in turn stands for Consortium for Advanced Education and Training Technologies Interactive Multi-user Business Learning Environment. The idea behind CIMBLE is to let people who are unable or unwilling to meet face to face practise collaborating with each other over a computer network. To do this, CIMBLE's software creates a virtual world for up to six participants. Each acts via an electronic representative known as an avatar. A participant sees the world(including the other players' avatars, which appear on screen as cartoon-like images of men and women)from his own avatar's point of view. Any other characters that the avatars might interact with are played by a moderator , who also acts as Big Brother, overseeing and monitoring the activities of the group and steering things in a suitable direction. The CIMBLE software allows the avatars to walk around and manipulate objects in the virtual world(opening doors, for example)at the click of a mouse. It also lets avatars(and hence the participants)talk to one another. Most conversations are assumed to be in the open, and can be heard by everybody. But true office Machiavellis will be pleased to learn that private chats are also possible, since the software can work out who is within earshot of whom, and will transmit sound only to those who should be able to hear it. So far, Dr. Testani and her colleagues have devised two exercises in their new electronic world. One simply brings the participants together around a virtual conference table and lets them chew over an agenda provided by the moderator. The second, however, is more sophisticated. The participants are deemed to be working for a civil-engineering firm, and are sent off to the proposed site of a new bridge to settle a dispute with local residents and officials. After a long car ride and a night in a hotel(all depicted in loving detail by CIMBLE's software), they meet the irate local and try to mollify them. A successful outcome, allowing the bridge to go ahead, is greeted by an onscreen display of virtual fireworks. Questions 71 to 75 Complete the summary below with information from the passage, using no more than three words for each blank. Dr. Testani of Franklin Institute designed a software called CIMBLE which【E1】____CADETT Interactive Multi-user Business Learning Environment. This virtual world is used to mimic the office and has made it possible for【E2】____people to practise collaborating with others over a computer network. 【E3】____ is represented by an avatar, and their activities are monitored by a moderator. With this software, participants can talk to each other—as well as have【E4】____ in the virtual world because the software will transmit sound only to people who should be able to hear it. Two exercises have been devised up till now. One allows the participants to think over an agenda, while the other requires them to【E5】____over the construction of a new bridge.

{{B}}Part Ⅱ Vocabulary and Structure{{/B}}

The Great Gatsby is a portrayal of a fascinating time in US history and the gripping and moving story is told in expressive and intricate detail. The novel has a fast-moving and riveting plot, but what appealed to the readers most was the way that the protagonists' complex personalities are revealed over the course of the story. Daisy has a touching vulnerability and charm, but is self-centred and shallow. And Gatsby, a fake and a liar, has a moral integrity unmatched by the characters who grew up with money. It's a must-read.