摘要
本文从辩证的角度分析与探究当代中国以"山水城市"为设计概念并追求现代民族建筑特色的两位建筑师——王澍与马岩松在建筑设计与实践上存在的共同特征与建筑语言。文章第一部分以两位建筑师的代表作品——宁波历史博物馆与哈尔滨大剧院为例,分别从建筑环境关系与空间关系两方面分析他们作品的存在的共性。第二部分则总结二者在设计与实践过程中形成的新的建筑语言,并以二者的其他作品为例,对其建筑设计中的不足之处加以批判性分析。
This paper analyzes and explores the common characteristics and architectural language of Wang Shu and Ma Yansong with a dialectical perspective,two architects in contemporary China who take"ShanShui City"as the design concept and pursue the characteristics of modern national architecture.In the first part of this paper,the representative works of the two architects,Ningbo History Museum and Harbin Opera,are taken as examples to analyze the commonness of their works from two aspects of architectural environment relations and spatial relations.The second part summarizes the new architectural language formed by them in the process of design and practice,and takes their other works as examples to critically analyze their deficiencies in architectural design.
出处
《中外建筑》
2019年第10期39-40,共2页
Chinese & Overseas Architecture
关键词
建筑
山水城市
环境
空间
architecture
Shanshui city
environment
space
