摘要
“气”是广泛应用于六朝绘画理论的重要概念。“气”是万物的本体和动力,也是意象的本源和动力,是一切艺术活动的根源,显示着画家对表现生命活力和精神境界的探索。“气”作为沟通天与人的媒介,流动并充盈于物象之间,使自然之气与主体之气交相融合,从而实现了意象的无限生发。“气”是抽象无形的,必须借助于画家的意象构思与笔墨运染,才能描绘出艺术形象的生命活力,产生韵中有气、气中含韵的艺术效果。六朝画论家将“气”视为绘画批评的核心范畴,反映了古代文艺创作的诸多特点和规律,极大地丰富了绘画意象的意蕴内涵,并成为中国绘画美学体系建构的重要内容。
and intangible.Only with the help of the painter’s image conception and ink painting can we depict the vitality of artistic images and produce artistic effects of Qi in rhyme and rhyme in Qi.Painters in the Six Dynasties regarded“Qi”as the core category of painting criticism,which reflected many characteristics and laws of ancient literary and artistic creation,greatly enriched the connotation of painting images,and became an important content of the construction of Chinese painting aesthetic system.
基金
国家社会科学基金重大项目“审美意象的历史发展及其理论建构研究”(21&ZD067)
第72批博士后面上资助项目“魏晋六朝诗画意象研究”(2022M722700)的阶段性成果。
关键词
绘画意象
气本体
笔随气运
生命精神
painting image
Qi
the pen moves with the Qi
Spirit of life
