摘要
生活美学是中西方共同推进的新型理论话语。与西方生活美学研究相比,国内生活美学研究或缺乏整体性,或缺乏具体性,而造成这种现象的症结在于没有厘清"生活"概念的内涵和外延。基于西方生活美学研究与当前"日常生活审美化"的现象考量,生活美学的研究对象当限定在"日常生活"。从时空的维度看,"日常生活"指在以物质为基础的现实空间中,主体在衣、食、住、行等人类社会生活基本形式元素间持续反复的轮转过程,平凡性是这个过程的审美特性。生活美学的任务在于思考如何以审美的方式审视平凡普通之物,发现平凡之美,从而构建一套能阐述日常生活平凡性的审美话语。
Life aesthetics is a new theoretical discourse jointly promoted by China and the West.Compared with Western life aesthetics research,domestic life aesthetics research lacks integrity or specificity.The crux of this phenomenon lies in the failure to clarify the connotation and extension of the concept of“life”.Based on the research of Western life aesthetics and the consideration of the current phenomenon of“daily life aesthetics”,the research object of life aesthetics should be limited to“daily life”.From the perspective of time and space,“daily life”refers to the continuous and repeated cycle of the basic elements of human social life such as clothing,food,shelter,and transportation in the real space based on material.The triviality is the aesthetic characteristic of this process.The task of life aesthetics is to think about how to examine ordinary and ordinary things in an aesthetic way,discover ordinary beauty,and construct a set of aesthetic discourses that can explain the ordinaryness of daily life.
作者
梁晓萍
陈恩诚
Liang Xiaoping;Chen Encheng
基金
国家社科基金艺术学重大项目“美学与艺术学关键词研究”(项目编号:17ZDA017)阶段性成果