摘要
云南大营哑巴节是当地彝族的传统民俗节庆,是融合了傩舞、傩仪的具有审美特质的民俗艺术,具有丰富的民俗文化内涵和艺术审美价值。民俗艺术的审美阐释是对动态的民俗活动发生过程中所有静态、动态审美的综合解读,运用民俗艺术审美四层理论,从形式观感、心象体验、意义追索、精神超越四个方面对哑巴节进行审美分析,可以发现其从彩绘造型到祭仪舞蹈的形式之美、具有通灵与陶醉的体验之美以及其背后蕴藏的民族民俗信仰之美、人类文明同构所体现的精神超越之美。对大营哑巴节进行结构性的审美阐释,可以深入挖掘其民俗艺术价值,助力这一非遗的保护传承。
The Daying Dumb Festival in Yunnan is a traditional folk festival of the local Yi people. It is a folk art with aesthetic characteristics that combines Nuo dance and Nuo ritual, and has rich folk cultural connotation and artistic aesthetic value. The aesthetic interpretation of folk art is a comprehensive interpretation of all the static and dynamic aesthetics during the process of folklore activities. Using the four-layer aesthetic theory of folk art, this paper makes an aesthetic analysis of Dumb Festival from four aspects: form perception, mental image experience, meaning pursuit and spiritual transcendence. It can be found that the Dumb Festival has the beauty of form from the colorful painting modeling to ritual dance, the beauty of psychic and intoxicating experience, as well as the beauty of ethnic folk beliefs behind it and the beauty of spiritual transcendence embodied in the isomorphism of human civilization. The structural aesthetic interpretation of the Daying Dumb Festival can help deeply dig out its folk art value, and help protect and pass down the intangible cultural heritage.
出处
《艺术与民俗》
2021年第1期63-69,共7页
Journal of Arts and Folklore
关键词
傩文化
哑巴节
民俗艺术
审美阐释
Nuo Culture
Dumb Festival
Folk Art
Aesthetic Interpretation
