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西藏传统舞蹈的当代表达——以2021年春节、藏历新年联欢晚会舞蹈作品《甲·宣》与《果沃情》为例

Contemporary expression of Tibetan Traditional Dancing——A case Study of the Dance works Vja Shon and Rgodpo at the Spring Festival and Tibetan New Year in 2021
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摘要 西藏传统舞蹈题材作为一种独特的舞蹈创作样态,是传承创新乡土文化的重要载体,在舞蹈的发展史上具有十分重要的价值和意义。本文以西藏电视台2021年春节、藏历新年联欢晚会舞蹈作品《甲·宣》与《果沃情》为研究个案,以当代表述、新媒体塑形、审美的多元发展这三个视角作为阐述和研究内容,对其进行了一定探索性思考和解读,期望本论文对西藏传统舞蹈的发展有一定的启示。 It is a unique form of dancing creation,the theme of Tibetan traditional dance which is an important carrier for inheriting and innovating local culture.It has very important value and significance in the history of dance development.In this paper mainly focus on the Tibet television in 2021,the Tibetan New Year the Spring Festival gala dance works of Vja Shon and Rgodpo which are the research case,to contemporary expression,the new media in shape and diversified development of the three perspective of aesthetic as described and the research content,some exploratory thinking and reading,to expect this thesis has the certain enlightenment to the development of Tibetan traditional dancing.
作者 赛曲次仁 格桑旦增 Sridchos Tsering;Kelsang Tenzin
出处 《西藏艺术研究》 2021年第3期16-21,共6页 Tibetan Art Studies
关键词 西藏传统舞蹈 《甲·宣》《果沃情》 当代表述 新媒体 多元性审美 Tibetan traditional dance Vja Shon Rgodpo Contemporary expression New media Pluralistic aesthetics
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