摘要
影像视觉的凸显是社交媒体时代的显著特征,随着影像生产-传播装置技术的提升,技术影像成为当代社交首要的和最重要的媒介。美颜的影像,历经了前社交时代、过渡的社交时代和社交时代三个阶段,反映着人类视觉历史与文化社会发展的逻辑。近些年来,风靡中国的各式美颜软件和美颜智能手机所生产出的美颜影像,有着广泛的使用群体,成为中国现代社会重要的视觉文化表征之一,突出地展示出视觉现代性内部相反相成的逻辑。凭借脱域、再域和再媒介的特性,美颜影像的生产、增殖和流通鲜明地表现出影像的旅行化和旅行的影像化。
The prominence of visual images is one of the most distinctive features in the social media era.With the spread of image-editing apps and smart devices,technology-enhanced images have become the primary and most important medium of contemporary social interaction.Images being filtered have gone through three stages.That is,the pre-social interaction era,the transitional social interaction era,and the social interaction era.This process reflects the logic of human visual history with cultural and social development.In recent years,filtered images generated from various image-editing apps and smartphones have attracted a wide range of users in China.On the one hand,they visualizes modern Chinese society and on the other hand they reflect the inner conflict and complementation within modernity.With the characteristics of disembedding,re-disembedding and remediation,the production,proliferation and circulation of filtered images clearly showcase the travel-nature of images and the image-nature of travel.
出处
《文化研究》
2022年第1期35-46,共12页
Cultural Studies
关键词
视觉
美颜影像
技术影像
Vision
Filtered Image
Technical Images
