摘要
一直以来乡土文学在两岸文坛都占据着及其重要的地位,自上世纪八十年代末九十年代初,随着两岸社会的变化以及新世代作家的成长,乡土文学也进入了新时期新阶段。尤其需要值得注意的现象在于,此时女性乡土作家的崛起,较之于传统的男性乡土书写,女性的乡土写作呈现出了不同的样态。本文将选取包括付秀莹、陈淑瑶、陈雪几位海峡两岸的女性乡土作家,进而讨论女性乡土书写更着重于从微观历史着手,以白描的日常叙事手法刻画了乡村的真实风貌。同时,以女性敏锐的触觉与笔法捕捉了人物的日常情感状态,并透过身体书写刻画了一群徘徊在城市/乡村的边缘女性。
For a long time,vernacular literature has occupied an important position in the literary world on both sides of the Taiwan Strait.Since the late 1980 s and early 1990 s,with the changes of the society on both sides of the Taiwan Strait and the growth of the new generation of writers,vernacular literature has also changed correspondingly and entered the stage of vernacular literature in the new period.In particular,we should pay attention to the phenomenon that the rise of female vernacular writers at this time,compared with the traditional male vernacular writing,female vernacular writing presents a different state.This paper will select Fu Xiuying,Chen Shuyao and Chen Xue,who are female vernacular writers on both sides of the Taiwan Strait,and then discuss the female vernacular writing.It focuses on the micro history and depicts the real style of the countryside with the daily narrative technique of white line drawing.At the same time,it captures the daily emotional state of the characters with women’s keen sense of touch and brushwork,and depicts a group of marginal women wandering in the city/countryside through body writing.
出处
《思想与文化》
2021年第1期345-358,共14页
Thought & Culture
基金
广东省教育厅创新人才类项目“自然灾害与台港澳文学书写研究”(2021WQNCX021)
广州社科项目“穗港澳文学的灾害书写研究”(2021GZGJ242)
关键词
海峡两岸
女性
乡土
身体
both sides of the Taiwan Strait
female
vernacular
body
