摘要
新现实主义在当代俄罗斯自由多元的文化语境中应运而生,旨在恢复传统现实主义诗学观念中的批判精神和意义追求。这一文学运动既借鉴了现实主义创作的原则,也融合了包括后现代主义在内的各种先锋技巧,形成了一种综合性的文学态势。谢尔盖·沙尔古诺夫是俄罗斯新现实主义文学的杰出代表,其中篇小说《乌拉!》展现了新现实主义的创作理念和美学特色。小说采用自传式叙事,讲述人和主人公的“我”与作者本人的形象高度重合,使得对小说中作者形象的研究具有实质性的意义。本文利用维诺格拉多夫的“作者形象”理论,分析《乌拉!》中不同语层的修辞特点,旨在揭示作者独特的艺术风格,并深化读者对俄罗斯新现实主义小说的理解与鉴赏。
New Realism has surfaced in the context of contemporary Russia's free and diverse cultural landscape,with the aim of revitalizing the critical spirit and pursuit of meaning inberent in traditional realist poetics.This literary movement draws upon the principles of Realism while integrating a spectrum of avant-garde techniques,including Postmodernism,thereby crafting a composite literary posture.Sergey Shargunov,an eminent figure in Russian New Realism,in his novella“Ura!”demonstrates the creative philosophy and aesthetic traits of New Realism.Employing an autobiographical narrative approach,the novel's author,narrator,and protagonist share a single name,aligning the narrator and protagonist's“I”closely with the author's own persona,rendering the exploration of the author's image within the novel substantially meaningful.Utilizing Vinogradov's“image of the author”theory,this paper analyzes the rhetorical characteristics of the various narrative layers in“Ura!”,with the intent to disclose the author's unique artistic style and to enrich the reader's understanding and appreciation of Russian New Realism fiction.
作者
闫坤
Yan Kun(School of Russian language,Beijing Foreign Studies University)
出处
《世界文学评论（高教版）》
2024年第2期24-28,共5页
The World Literature Criticism
