摘要
斗(和栱)的最早实体形态可以追溯到早期青铜器。众所周知,青铜器作为礼器为早期君王贵族所拥有,在祭祀中大都用于装盛食物和酒。青铜器上的图案包罗万象,且服务于一个崇高的终极目的,即实现天、地、人、神(鬼)之间的连接或沟通。由此,青铜器上的斗栱之结构功能大大削弱,而其文化象征意义却大为增强。如果将青铜器视为一文化、艺术和历史的物质载体,那么在早期青铜器功能和文化语境中来探讨其中斗栱的文化含义,可以帮助我们更进一步了解斗栱在建筑上的应用和内涵。
As an important bracket set in Chinese wooden architecture,dou(and gong)their early form can be identified from some Chinese bronze vessels.In early China,bronze vessels were possessed by the upper classes and were exclusively used for ritual ceremonies.As food and wine containers,bronze vessels were often excessively decorated by various symbols that served for establishing the communication between heaven and earth.In these bronze vessels,the structural function of dougong is largely diminished,while its symbolic function is by contrast augmented.Through discussing the cultural meanings of dougong within its physical context as an attachment to early bronze vessels,we might clearly see that dougong as first a ladle for carrying liquid,can be developed to a totem,symbolizing the connection between earth and heaven.In such a light,the cultural meanings of dougong in architecture hopefully can be better understood.
作者
谢晶(景)
李梦笔
Xie Jing;Li Mengbi(The University of Nottingham Ningbo China,Ningbo,315100;Victoria University,Melbourne,Australia)
出处
《文物建筑》
2019年第1期29-38,共10页
Traditional Architecture
关键词
斗
斗栱
青铜器
建筑
釭
dou
dougong(bracket set)
bronze vessels
architecture
band
