摘要
舞剧是以舞蹈为主要表现手段的综合性戏剧样式。所谓“舞剧邻界批评”是指深度参与这个“综合性戏剧样式”的各方—主要是音乐、戏剧、美术等相关艺术领域的学者对舞剧的批评。作为“中国当代舞剧批评研究随笔”系列的第五篇,举隅的批评文章出自六位学者:三位来自音乐界(两位作曲家和一位乐评家),两位来自戏剧界,一位来自美术界。六篇批评文章对舞剧的透彻分析和美学提升,对于我国当代舞剧批评而言具有很好的示范作用。
Dance-drama is a comprehensive theatrical style primarily expressed through dance.The term“Adjacent Criticism of Dance-dramas”refers to in-depth engagement by scholars from various f ields,mainly music,drama,f ine arts,and other related artistic domains,in the criticism of dance dramas.As the f ifth essay in the series of“Essays on Contemporary Chinese Dance-drama Criticism Research”,this critique highlights the works of six scholars:three from the music f ield(two composers and one music critic),two from the drama f ield,and one from the f ine arts f ield.The six critical essays offer profound analyses and aesthetic enhancements of dance-dramas,serving as exemplary contributions to contemporary Chinese dance-drama criticism.
出处
《当代舞蹈艺术研究》
2023年第2期16-26,共11页
Contemporary Dance Research
基金
国家社科基金艺术学重大项目“当代中国舞剧的历史脉络、创作实践与发展态势研究(1949—2019)”(批准号:19ZD17)阶段性研究成果之一
关键词
当代舞剧批评
舞剧邻界批评
《南越王》
《月牙五更》
《春之祭》
《凤鸣岐山》
《只此青绿》
contemporary dance-drama criticism
adjacent criticism of dance-dramas
King of Nanyue Kingdom
The Crescent Moon at Three in the Morning
The Rite of Spring
The Phoenix Singing on the Qishan Mountain
The Journey of a Legendary Landscape Painting
