摘要
廣義的叙事覆蓋抒情,狹義的叙事與抒情並列,目前已有將抒情問題納入叙事學理論體系的努力。在叙事傳統之外提出抒情傳統,在西方或許没有多大必要,在中國則有助於穿透史官文化的影響,從詩學而非史學的角度去尋找文學傳統的真正源頭。叙事學不應是"無情"之學,叙事傳統研究也不應忽視自身文脈的個性,注意聆聽抒情與叙事兩大傳統的"交響共鳴",或可避免從單一角度看問題的片面。
Narrative covers lyricism in the broad sense,while it is juxtaposed with lyricism in the narrow sense.In today’s scholarship,the efforts have been made to integrate issues related to lyricism into the theoretical system of narratology.It may not be necessary to put forward lyrical tradition beyond narrative tradition in the west,but in China it is important to pervade the culture of historiography and seek the real source of literary tradition from the poetic perspective.Narratology should not be a"heartless"science,and the study of narrative tradition should not ignore the distinguished features of its own context.Attention to symphonic resonance performed by both narrative and lyrical traditions may avoid the one-sided view on problems from single perspective.
出处
《岭南学报》
2019年第2期-,共19页
Lingnan Journal of Chinese Studies
关键词
叙事
抒情
傳統
史詩
農耕
Narrative
lyricism
Tradition
Epic
Agriculture