摘要
人兽结合的纹饰或造型屡见于商后期和西周早期的青铜器上,本文试分析与此纹饰或造型相关的青铜器的年代和地域分布,并据此提出此纹饰有可能形成和沿用于淮河流域至长江中游地区并于殷墟文化二期以前北传的发展脉络。该类纹饰其后在殷墟文化区域得到改造和融合,继而被西周初期的工匠吸收并在车器和兵器上进一步发展。
Animal-and-man motifs were often found on bronzes dated to the Shang and early Western Zhou periods.In depiction,a man and a tiger,or a man and a breast,were closely connected,interacting.The design,hence,set them apart from most other motifs employed during the same period.The bronzes with this special animal-and-man design had been in use for a considerably long period of time,developed or copied in different cultural zones.Their geographical distribution and dates of use,hence,reveal intriguing notes about the transmission of bronze-casting practices,and possibly also of the spread of associated ritual meanings among the many bronze-using societies now identified archaeologically.From what is observed at the present,the animal-and-man design was probably first developed and used in both the Huai River valleys and the mid-Yangtze River regions.The Shang bronze casters at Anyang acquired the concept,modified it,and applied that to decorate local bronzes.The Shang designs,in turn,left an impact on their succeeding Western Zhou bronze casters,who further developed and applied particularly on bronze weapons and chariot fittings.
作者
黎婉欣
Celine Yuen Yan LAI(Beijing 100871)
出处
《江汉考古》
CSSCI
北大核心
2021年第2期54-63,52,共11页
Jianghan Archaeology
关键词
人兽结合纹饰
月儿河龙虎尊
殷墟铜器纹饰
虎噬人卣
西周车器造型
animal-and-man motifs
Anhui Yue’erhe zun
Shang bronze motifs
Tiger-and-man you
Western Zhou chariot fittings
