摘要
本文从图像学的视角出发,以凉山彝族漆器图案为例分析研究了其图像特点及图像文化,并对其图案进行传承与再造思考,实现其在当代的设计再生。本文先对凉山彝族漆器图案进行图像分析,将其图案归纳为二维图像与三维图像;再分析这些图像在当今的传承与再造。凉山彝族漆器图案是凉山彝族原生文化的典型代表,在新的时代需要从自然化、植物化、动物化饕餮等几个方面对其进行图像整合与设计再造,从而实现对民族优秀图像的传承与振兴。
From the perspective of iconology,this paper takes Liangshan Yi lacquerware pattern as an example to analyze and study its image characteristics and image culture,and think about the inheritance and reconstruction of its pattern,so as to realize its regeneration in contemporary design.In this paper,first of all,the image analysis of Liangshan Yi lacquerware patterns is carried out,and then the inheritance and reconstruction of these images are analyzed.Finally,it is proposed that Liangshan Yi lacquerware pattern is a typical representative of Liangshan Yi ethnic group’s original culture.In the new era,it is necessary to integrate and design the lacquerware patterns from the aspects of naturalization,plantification and animalization,so as to realize the inheritance and revitalization of the excellent ethnic images.
作者
付莎莎
FU Shasha(Mian Yang Teachers College,621000 Mianyang Sichuan)
出处
《设计艺术研究》
2021年第4期65-69,共5页
Design Research
基金
国家民委人文社会科学重点研究基地-中国彝学研究中心资助项目(YXJDY1805)
关键词
少数民族
图像再造
凉山彝族
漆器图案
ethnic minority
image reconstruction
Liangshan Yi Ethnic Group
lacquerware pattern
