摘要
长沙马王堆一号汉墓出土的T形帛画是西汉时期创作的绢本设色画作。本文从设计阴阳论角度论述马王堆一号墓T形帛画的构图特征、物像来源和汉代“二元对立”的阴阳观在帛画中的体现;从该帛画的造型、色彩和题材探索帛画的审美表现。对马王堆T形帛画进行深入的研究,将有助于人们重新审视马王堆一号汉墓T形帛画,形成更为全面的认识,并使汉代高超的绘画艺术得到更广泛的了解与欣赏。
The T-shaped painting on silk unearthed from Han Tomb 1 at Mawangdui,Changsha,is a colored silk painting created in the Western Han dynasty.From the perspective of Yin and Yang theory of design,this paper discusses its composition characteristics,the source of the images,and the embodiment of Han dynasty Yin and Yang concept of dualistic opposition in silk paintings.It explores the aesthetic expression of this painting on silk from its shape,color and subject matter.A thorough study of paintings on silk from the Mawangdui tombs will help people re-examine this T-shaped painting from Tomb 1,form a more comprehensive understanding,and more widely popularize the superb painting art of the Han Dynasty.
作者
邹婧
陈毅玲
Zou Jing;Chen Yiling(Hunan University of Technology)
出处
《湖南省博物馆馆刊》
2022年第1期15-21,共7页
Hunan Provincial Museum
基金
湖南省哲学社会科学基金教育学专项课题“教育现代化背景下中国古代艺术品美育价值挖掘研究(项目编号:20YBJ18)”阶段性成果。
关键词
马王堆一号墓T形帛画
设计阴阳论
构图特征
审美特征
T-shaped painting on silk from Tomb 1 at Mawangdui
design theory of Yin and Yang
composition features
aesthetic features
