摘要
饰耳佛像系汉文化地区特有的文化现象,创始于成都约南梁晚期,发展千有余年。四川为饰耳佛像首要发展区域,数量多且比较集中,南北朝晚期从川中波及到川北地区,初盛唐时期在川北地区获得较大发展,桃形耳环流行成为共同区域特征。其他地方饰耳佛像数量少又极其分散,流行于唐宋时期,其中南诏大理国实例与四川有所关联。饰耳佛像中最初和少许特殊实例,可能具有释迦佛为教化众生示现穿耳意涵,绝大多数实例则是相因成习表现,目的在于塑造别致的造型风貌。
Statuary of the Buddha with earrings is a unique cultural phenomenon of Buddhism influenced by Han Chinese culture that originated in the later period of the Southern Liang dynasty in Chengdu and continued to develop for more than a thousand years.Sichuan is the primary area for the development of this style of statue,where the popularity of peach-shaped earrings used to decorate the Buddha became a widely recognized regional feature of Buddhist statuary from the area.From middle Sichuan,this style spread to north Sichuan in the late Northern and Southern Dynasties where it eventually obtained greater development during the early Tang dynasty.The number of Buddha statues with earrings in other places in China is extremely limited,though some have been recovered from archaeological sites of the Nanzhao and Dali kingdoms,though these statues also exhibit a clear influence of the Sichuan style.The first truly unique examples of Buddha statues made with decorated ears may have been constructed in such a way as to indicate that Buddha Sakyamuni pierced his ears to exhort all beings to seek enlightenment.The later development of this style,however,occurred as a matter of course related to various causes and was aimed primarily at achieving a unique aesthetic style.
作者
李静杰
LI Jingjie(Department of Art History,Tsinghua University,Beijing 100084)
出处
《敦煌研究》
CSSCI
北大核心
2021年第1期15-28,共14页
Dunhuang Research
关键词
饰耳佛像
四川南北朝隋唐佛像
南诏大理国佛像
Buddha statues with earrings
Buddha statues of the Sui,Tang,Southern and Northern Dynasties in Sichuan
Buddha statues of the Nanzhao and Dali kingdoms
