摘要
本文拟以时间为线索,探究1937—1956年这段历史时期内,中国共产党在香港影界文化战线的发展脉络与总体特征。新中国成立之前,在国民党严格的行政干预下,中共在香港影界文化战线发展相对隐蔽,但也取得许多卓有成效的阶段性的成果。而新中国成立以后到50年代中期,中共在香港电影界的文化战线则逐步发展壮大,不仅建立以"南方"为主的宣传、外交系统,在此基础之上,形成以"长、凤、新"为代表的国语片创作队伍与以"新联""中联"为代表的粤语片创作团体,推动香港左派文化进入黄金时期。
This paper traces the development process and explores the overall characteristics of the cultural front established by CPC in Hong Kong film industry from 1937 to 1956.Prior to the establishment of People’s Republic of China,CPC’s development of cultural front in Hong Kong was relatively covert in nature due to Kuomintang’s strict administrative intervention.It had achieved many positive results nonetheless.Since the establishment of PRC until the launch of the Cultural Revolution,CPC’s effort in strengthening cultural front in Hong Kong film industry had been a fruit-bearing success.It did not only create a publicity and diplomacy system centered around Southern Film Corp Ltd.,but also help groom a team of Mandarin film production houses represented by Great Wall,Feng Huang and Sun Luen Film companies,as well as Cantonese film production houses such as Sun Luen and Union Film,thereby ushering in the golden age of Leftist culture in Hong Kong.
出处
《东方学刊》
2019年第4期72-85,143,共15页
Dongfang Journal
基金
2018年度国家社科基金艺术学重大项目“中国电影学派理论体系构建研究”的阶段性成果(批准号:18ZD14).
