摘要
20世纪30年代由黎莉莉演唱的《新凤阳歌》和周璇演唱的《凤阳花鼓》成为"凤阳歌"中的经典代表。自此以后众多作曲家都曾以这两首歌曲旋律作为素材创作出了多种表演形式的音乐作品,并在其中展现出一些共性创作特征和个性创作语言。其创作时间跨度大、影响范围广,成为20世纪音乐创作中难得一见的"凤阳歌现象"。究其成因,深厚的民间基础、鲜明的艺术风格、精湛的创作技艺和广泛的文化认同促使了这一现象的产生。
In the 1930s,Li Lili’s"New Fengyang Song"and Zhou Xuan’s"Fengyang Flower Drum"became the classic representatives of"Fengyang song".Since then,many composers have used the melody of these two songs as the material to create a variety of performance forms of music works and show some common characteristics and individual creative language in the works.Its creation time span is large and its influence range is wide.It has become a rare"Fengyang song phenomenon"in the music creation of 20 th century.Among them,the deep folk foundation,the distinct artistic style,the exquisite creation skill and the widespread cultural identity are the reasons for this phenomenon.
出处
《滁州学院学报》
2021年第3期1-6,11,共7页
Journal of Chuzhou University
基金
池州学院校级质量工程教学研究重点项目“课程思政背景下‘基本乐理’教学改革的探索与实践”(2020XJYXM08)
关键词
凤阳花鼓
凤阳歌
音乐创作
文化成因
Fengyang Flower Drum
Fengyang Song
musical composition
cultural cause
