摘要
中国节庆历史悠久,也积淀了大量独特的文化符号,传统节庆节目自然成为这些文化符号传播的重要载体。文章尝试从中国符号理论视角研究传统节庆节目的符号和符号结构。符号中的能指、对象和解释者关系,其实也体现了中国符号中的形/名、言/意、物/我关系;《易经》中的二元对立、多极结构以及推理结构作为"原结构"构成了节庆节目的基础,而"轻柔杂色""天人合一"结构方式体现的是节目的独特结构。文章的论证过程,注意了中西符号理论的互证和互释,以此进一步强化理论的互融性、系统性和适应性。
Chinese festivals have a long history and a large number of unique cultural symbols,and traditional festivals have naturally become an important carrier of the spread of these cultural symbols.This paper attempts to study the symbol and symbolic structure of traditional festival programs from the perspective of Chinese symbol theory.The relationship of the signifier,object and interpreter in the semeiology also reflects the relationship of form-to-name,word-to-meaning,and object-to-self in Chinese symbols.The binary opposition,multipolar structure and reasoning structure in Yijing as the"original structure",constitute the basis of the festival programs,while the structure of"light and variegated"and"nature-human integration"reflects the unique structure of programs.The argumentation process of the paper pays attention to the mutual evidence and mutual interpretation of the Chinese and Western symbolic theories,so as to further strengthen the mutual solubility,systemicity and adaptability of the theory.
出处
《未来传播》
CSSCI
2021年第6期99-105,123,共8页
Future Communication
