摘要
基于实地调查及空间分析发现,内乡县衙博物馆卓越的社会服务体现于物理、精神、社会的三重多维空间及辅助网络虚拟空间。其空间的"差异性"产生或服务提升之关键,在于围绕"官德"文化核心运用多层次文化资源,吸引各界参与其中,从而将博物馆转变为道德成长空间以及县城文化枢纽,这一"德鉴之心堂"实现了对自身空间和城市空间的双重超越。归结其整合文化策略:遗产保护为基础、府衙文化为主题、官德思想为核心、求真向善精神为源力、凝聚人心成共力,这一策略视博物馆为共建共享型精神成长空间,对古迹遗址型博物馆的服务提升深具启发意义。
Taking the classic representative work of ink and wash animation,Landscape,as an aesthetic sample,we can better study the structural characteristics of the aesthetic of ink and wash animation.Animation creators in Shanghai Film Studio used"screen"as the structural element of the shot in animation creation.The structural characteristics of the link and integration between the scenes make the ink animation aesthetics reflect the structure of the aesthetics between scenes.The function of the whole"screen"and"screen"is not to divide and transfer the atmosphere,but to maintain the unity of the internal relationship of Chinese traditional ink aesthetic components.Using this innovative structure organization design,it can be properly integrated into the camera picture with the delicate painting style and rich ink texture of the visual picture.This multi-act aesthetic structure fully integrates the plane aesthetic characteristics of Chinese ink painting.Based on this structural feature,the basic audio-visual language of animation forms a set of narrative shots dominated by large perspectives and panoramas,which runs through the interact structure with moving shots as the main lens narrative Angle.Such structural aesthetic features,which are completely different from the classic Japanese animation or Disney mode,not only highlight the audio-visual language structure with the characteristics of Chinese ink painting,but also highlight the innovative structural characteristics of the artist in the design of the lens audio-visual aesthetics.
出处
《北京文化创意》
2021年第4期42-48,共7页
Beijing Culture Creativity
关键词
内乡县衙
官德
空间分析
社会服务
文化遗产
Chinese ink and wash animation
inter-screen aesthetics
audio-visual language
structural aesthetic characteristics
