摘要
少数民族题材音乐剧是音乐剧中国化的产物,是中国语境中的音乐剧类型之一。近年来,在众多红色音乐剧作品中,少数民族题材的红色音乐剧,因其将少数民族特有的文化元素、经典的红色历史故事、音乐剧艺术表现形式进行了有机融合,在音乐剧的中国化发展历程中显得尤为突出。文章拟从“悦耳”“悦目”“悦心”三个角度,去探索此类题材音乐剧民族性与时代性结合的实践路径,为中国特色的原创音乐剧的未来发展提供一些参考。
Minority-themed musicals have evolved in recent years,and they represent a kind of unique but important performing art in the Chinese context.Among the many musicals based on Chinese revolutionary stories(known as“red”musicals),those featuring minority themes stand out prominently.They integrate ethnic minority cultural aspects,classic revolutionary historical stories,and the artistic expression forms of musicals.This fusion has highlighted the unique characteristics in the development of Chinese original musicals.This article aims to explore the practical approach of integrating the ethnic and national aspects in such thematic musicals,from the perspectives of“pleasant to the ears(yue er)”,“pleasing to the eyes(yue mu)”,and“delighting the heart(yue xin)”.It intends to provide insights for the future development of Chinese original musicals.
作者
张永庆
朱琴
ZHANG Yong-qing;ZHU Qin(Beijing Dance Academy,Beijing 100081;Sichuan Film and Television University,Chengdu 611331,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2023年第5期128-134,共7页
Journal of Beijing Dance Academy
关键词
少数民族题材
红色音乐剧
音乐剧创作特点
时代性
民族性
Minority-themed musicals
Chinese“Red”Musical
Artistic expression characteristics
Nationality
Ethnicity
