摘要
博物馆收藏着人类创造的物质文明,不仅肩负着传播人类文明的使命,还成为连接历史与人类的文化桥梁。对于博物馆来说,最主要的活动和目的就是为了展示陈列室中的展品。博物馆的光照能渲染展品,"光"已经成为营造展厅陈列环境的一种特殊的组成因子,它具有实用的照明、界定、改变空间的作用。
The lighting environment of the museum is an important part that cannot be ignored in the exhibition design.It should not only satisfy the practical function,but also give consideration to the aesthetic function,and balance the relationship between audience appreciation and exhibit protection.Lighting can provide visitors with the necessary visual environment for viewing exhibitions,but unscientific lighting will cause irreversible damage to cultural relics,thus reducing their scientific,artistic and historical values.Therefore,on the premise of the existing artificial light source(without UV filtration treatment)lighting environment,it is the simplest and easiest method to explore how to reduce the hidden danger caused by UV radiation with the filter device.But it remains to be seen whether this type of UV filter or UV-proof glass can meet the museum’s requirements.And if applied to the museum,this kind of filter membrane and anti-ultraviolet glass should also have a high light transmittance,effectively blocking ultraviolet rays,while not affecting the audience on the cultural relics of detail,clarity of viewing.In this paper,the ultraviolet penetration rate and visible penetration rate of various ultraviolet radiation filter membranes and anti-ultraviolet glass are tested.
出处
《边疆考古研究》
2020年第2期473-481,492,共10页
Research of China＇s Frontier Archaeology
基金
吉林大学高校基本科研业务费哲学社会科学研究科学前沿与交叉学科创新项目(45110305194)
吉林省社科基金“从建筑材料的角度解读和保护考古遗址——以吉林省金代长白山神庙为例”(2019c119)的资助
