摘要
洛阳西汉阴纹画像空心砖上的画像是用木质模具印制而成。本文通过观察存在于画像砖上的印模边框痕迹和画像上的重影、线条断开及错位等细节,对西汉洛阳地区阳纹印模的形制和上述现象产生的原因加以探讨,对长方形和三角形砖龙的画像上多处线条断开及错位现象进行比对,推断出两种砖上龙的图像分别是用同一副印模印制的。该印模由大小、形状不同的四块印模组成,印制龙画像时是按照龙首→龙身→龙尾的顺序分段模印的。
The Western-Han pictorial images on the intaglio pictorial hollow brick tiles of Luoyang are stamped with wood modelled-pattern.The thesis analyzes the forms of the brick reliefs and the causes for the marks left on them----imprints at the mode’s edge,overlapped pattern,broken lines and dislocated design,and above all,the broken-lined and dislocated pattern of the Dragon image on the rectangular and triangular brick tiles,reaching the conclusion that the dragon reliefs are pressed with the same set of stamp-mode which is composed of four parts of varied size and shape and function.The complete process of the dragon stamping image covers three steps starting from the head,body,then to the tail.
作者
徐婵菲
Xu Chanfei;Shen Chen
出处
《故宫博物院院刊》
CSSCI
北大核心
2020年第2期51-65,109-110,共17页
Palace Museum Journal
关键词
洛阳西汉阴纹画像空心砖
问题画像
画像印模
the Western-Han intaglio pictorial hollow brick of Luoyang
faulty pattern
mode
